Wednesday, December 23, 2015

December Blues



   December – the month where I feel lazy, depressed and tired of everything. I do not know why I feel that way. Maybe I absorb too much negative vibes this year that it has a late effect on my part. I feel so uninspired. I feel so cynical about life. I feel like all my positive energy has been vacuumed that I am too disoriented to notice. I write this piece because I want to release this feeling through writing. 

   I noticed that my positive outlook in my life is starting to fade away. It seems that I become indifferent. It changed the way I think, the way I speak and the way I get along with people. Up until now, I am still contemplating its cause. 

   It is weird because I am always thinking of death. It is like I am obsessed with the thought of dying. I feel like I am Emily Dickinson who always thought about death. If I die, do I have an impact to the world? Do I achieve something? Or am I depressed that is why I think about those things? Maybe I am just surrounded by toxic people in the past months that I tend to deny its subtle effects in my system. 

   At the bright side, I am somehow thankful because I have the time to think about my life. What I am doing now to have a wonderful future. Is there career advancement in the past five years? Am I successful? Or I am just delusional about it? 

   I missed my own activities. I missed my blogging activities, my own travels, the genuine socialization and the interview sessions; my pleasurable reading and film activities, community immersion and my own research. That is why I read career and inspirational books as well as videos to get inspired. I felt lost for a while and I need to go back in the right track. I need to detach myself from negative people as well as their intolerable gimmicks. 

   December – the last month of the year. It is a perfect moment to reflect. It is a perfect moment to contemplate on the things that happened in 2015. It is the right moment to review goals and mission in life. It is the right month to reenergize for the next year’s relevant activities. I need to reinvent myself for the better. I need to be myself again to be sane and germane. 




Monday, December 21, 2015

Pangarap teaser







Pangarap teaser 2

by Licko'One feat. Cynille Kaye



Monday, November 2, 2015

Mindanao Screen Lab participants announced



   The twelve participants to the inaugural Mindanao Screen Lab have been announced.

   The 2015 participants are Joe Bacus (Cagayan de Oro), Theo Lozada (Davao), Sharon De Los Santos (Davao), Ryan Joseph Murcia (Zamboanga), Almojaimen Talib (Kidapawan), Najib Zacaria (Lanao), Orpheus Nery (Cagayan de Oro), Mohalidin Suga (Cotabato), Bhas Abdulsamad (Tawitawi), Jasmine Limas (Cagayan de Oro), Jean Kirvy Waga (Davao) and Julienne Ilagan (Cagayan de Oro).

   The Screen Lab is designed as an intensive learning program that provides emerging Mindanao filmmakers hands on training as well as project development sessions that will transform ideas into films. This year’s mentors include Filipino director John Torres (Todo Todo Teros, Lukas Nino), Mindanao’s own Teng Mangansakan (Limbunan, Qiyamah), Singapore’s Kan Lumé (Liberta, Naked DJ), Sherad Anthony Sanchez (Huling Balyan ng Buhi, Imburnal, Jungle Love) and other Asian filmmakers.

   Mindanao Screen Lab is co-presented by forumZFD, National Commission for Culture and the Arts and Mindanao State University General Santos City-Graduate School.














Originally posted in salamindanaw.org

Monday, October 26, 2015

Third SalaMindanaw IFF unveils Asian competition line up


   The third edition of SalaMindanaw International Film Festival has announced the official competition line up of the Festival scheduled from November 18 to December 2, 2015 in the cities of General Santos and Cotabato.

   Six films will vie in the Asian full-length competition. These are Chasing Waves (Charliebebs Gohetia, Philippines), Under Construction (Rubaiyat Hossain, Bangladesh), Jalanan (Daniel Ziv, Indonesia), Snakeskin (Daniel Hui, Singapore), River of Exploding Durians (Edmund Yeo, Malaysia) and Mencari Hilal (Ismail Basbeth, Indonesia).

   Meanwhile, seven films will compete in the Asian short film section. These are Elegy (Yousef Kargar, Iran), When The Boats Come In (Khin Maung Kyaw, Myanmar), Man in The Cinema House (Bernard Jay Mercado, Philippines), The Cat and The Orange Seeds (Nguyen Le Hoang Viet, Vietnam), November (Shane Lim, Singapore), Following Diana (Kamila Andini, Indonesia) and The Young Man Who Came From The Chee River (Wichanon Somumjarn, Thailand).

   With the exception of Bangladesh and Iran, all films in the line up are from Southeast Asia.

   “On our third year, the Festival’s programming is closer the vision of SalaMindanaw, which is to make the Festival a platform for Southeast Asian cinema,” festival director Teng Mangansakan revealed.

   “2015 marks the goal of ASEAN Integration. SalaMindanaw seeks to determine common images, icons and issues that form part of the Southeast Asian film iconography and discourse,” Mangansakan noted.

   SalaMindanaw is the first and only international film festival in Mindanao. It is organized by the Mindanao Center for the Cinematographic Arts.







Originally posted in salamindanaw.org 

Friday, August 14, 2015

Salamindanaw calls for submissions


The call for submissions is now open for the third edition of SalaMindanaw International film Festival. Competition is open in the following sections: Asian full length, Asian shorts, and Mindanao shorts. Narrative, documentary and experimental films are welcome. Films must be produced after January 1, 2014.

Deadline of entries for the Asian section is on September 15, 2015, while the Mindanao short entries must be submitted before October 15, 2015. All films must be presented as Mindanao premiere except for Mindanao shorts which must be presented as world premiere.

Online screeners are encouraged, but should you wish to send a DVD screener, please contact us at festival.salamindanaw@gmail.com. Entry form here.

The third edition of SalaMindanaw International Film Festival will take place from November 18 to December 2, 2015.







Please check SalaMindanaw Facebook page and salamindanaw.org for more info. 

Chillax and the irony of its title



   Chillax - a colloquial term for relax. It’s a combination of the words – chill and relax, which has the same meaning. This term is the new song of AXL GRICO and Licko’One. As you listen to the song, it has this relax, sexy, hypnotic and stoned vibe. It best played especially in the summer season. 

   AXL asked my help to direct their music video. It’s our second collaboration and I want it to be different. I want to take this video into the next level. Just like before, we had a series of meetings to discuss the concept and to prepare for the production requirements. John the owner of Pigshot clothing became the producer of the video. It is also our first meeting with Licko’One and I interviewed him in order for me to know his qualities as a rap artist. Fortunately, he was cooperative and contributed his share in the video. Since I came up with the sexy-hypnotic concept, I casted models to be featured in it. The two rappers liked the idea and they recommended models to be featured in the video. Then we started to prepare its production requirements.

   It’s ironic how I am not chillax before the shoot. I am a bit stress in finding the right models, the location and the preparation for the right production requirements. Since they do not have exposure in film/music video production, I made adjustment in order to relate to them. I modified its concept due to budgetary constraint and the “limited time of preparing it”. It’s a bit hard for me in the sense that they do not know what they were doing. I guided them so that it would not be disastrous during the shooting day. Moreover, I adjusted my hectic schedule and canceled my other appointments just to be sure the video will be shot in the planned schedule. 

   Despite all the challenges that we encountered, the music video was still shot in the intended dates. Although the concept that I have envisioned was not 100% materialized, I am still thankful that it went well. I shared to AXL my sentiments about the music video. I said to him that next time you want me to direct your music video you should prepare enough time and budget for it. He should not make rush decisions about it. 

   I hope they learned something from our shoot. I hope they realize that it’s not enough to have many followers or views in Youtube. I hope they realize that producing a quality artwork is not as easy as counting 1, 2, 3. I hope that the “fame” they experience would not consume them and forget other important things in life. 

   Through this music video I appreciate the essence of time. The value of right timing is really important if I want to be successful. That’s why I decided to shoot my third short film next year. I would not rush it and make the same mistakes just what my second film experienced. I will prepare enough budgets, collaborate with the right artists and make the right plan for the production requirements.


Wednesday, July 1, 2015

Call for the application to the Mindanao Screen Lab 2015



CALL FOR APPLICATION TO THE MINDANAO SCREEN LAB

SalaMindanaw International Film Festival is now accepting application to the first Mindanao Screen Lab to be held in General Santos City and its environs in November 2015.

The Screen Lab is designed as an intensive learning program that provides emerging Mindanao filmmakers hands on training as well as project development sessions that will transform ideas into films. Only 12 participants will be selected for the workshop.


QUALIFICATIONS

To qualify, applicants must (1) be 21 to 35 years old, (2) should be born or raised and established residency of a minimum of 3 years in any parts of Mindanao, and (3) must have written, produced, directed, edited, shot, art or sound designed a short film in the past.


REQUIREMENTS

Applicants must submit (1) duly accomplished application form which can be found on the Facebook page or click here, (2) an application essay, and (3) link to an online screener of short film(s).

Only applicants who go through the complete application process will be considered for the workshop. The chosen participants must be present for the full duration of the week-long workshop.

All participants are entitled to free accommodation and meals, workshop kits and transportation from the Festival Office in General Santos to the workshop venues and back. Land or air transportation from cities of origin to General Santos shall be at the expense of the participants.

The deadline for submission is 30 August 2015.




To facilitate an open, creative and interactive learning atmosphere, the faculty of the Workshop includes director John Torres (Todo Todo Teros, Lukas Nino), Mindanao’s own Teng Mangansakan (Limbunan, Qiyamah), Singapore’s Kan Lumé (Liberta, Naked DJ) and other Asian filmmakers.

For inquiries and to submit application, please email screenlab.salamindanaw@gmail.com. For more news about SalaMindanaw, follow our Facebook page http://facebook.com/salamindanaw


---

Monday, May 11, 2015

Chillax (Official Music Video)

AXL GRICO (left) and Licko'One (right) 


This is the official music video of AXL GRICO & Licko'One entitled Chillax. 

Wednesday, April 29, 2015

ArtVid 4: Ronald Tamfalan



Ronald Tamfalan paints his thoughts in the 4th series of ArtVid

Sunday, April 26, 2015

ArtVid 3: Caera & Edward





Caera Grace Lastimosa Agduma and Edward James Perez Sinforoso express the other side of their creativity in the 3rd series of ArtVid.




Saturday, April 18, 2015

VJ E supports local artists in SOCSKSARGEN





“I support the local artists here in SOCSKSARGEN,” says Elaine


   “I support the local artists here in SOCSKSARGEN,” says Elaine. She is one of the few people in Region XII who has genuine support for local artists. Her vision to uplift the music scene in SOCSKSARGEN is making slowly but surely progress. She is a superwoman who likes to multi-tasks for the love of her show and for the talented musicians that mostly benefited from it.


   I conducted an informal interview in their small yet very productive studio in Brigada News Station. While I’m in the studio, I got the chance to witness the workflow of their daily show. As an observer, I was really amazed on how she handles the demand of her work. It’s like she’s working in a busy fast food restaurant that serves news and entertainment. She does multi-tasking to run their show (except the technical side). Can you imagine if you are in her shoes? 


   It was Saturday when I interviewed her. She hosts for her Saturday Music countdown and if there’s a chance to have a break, she answers my questions. When the moment came to have a chat, I saw in her the burning passion. This kind of trait is rare nowadays. Since many have become busy finding security rather than their purpose in life. I admire her honesty and upbeat personality. She never hesitates to answer my questions. I’m thankful that she bestows her trust to me knowing the fact that we only just met (in person) in this interview. 

   Cherry Elaine Ong Sormillo or popularly known as VJ E was a graduate of AB Mass Communication major in Broadcasting at the Notre Dame of Marbel University (NDMU). She started as a DJ for Love radio (both in GenSan and Koronadal city) before she landed in Brigada station. 

   She experienced all kinds of work in the station. She became radio DJ/host, she experience being an anchorwoman; she also work in the marketing department and she even endorse some of the products of the station. She describes her career in the station as on and off status. But later on she finally committed herself to be the VJ of one of the top rated show of the station – The Brigada Music Videos (BMV). She was contacted to be the replacement of VJ Melody in the show. Because that time, VJ Melody focuses in her law school. This opportunity cemented her career as a promising VJ. 

   “When I accepted this job, I totally changed the programming of the show,” recounts Elaine. She changed the format of show to have a fresh look for the viewers. She acquired inspiration from MTV and MYX with a localized twist. She emphasizes the importance of the local artists. She includes their songs and music videos in the show. 


“It’s an easy for me to host in this kind of show because I’m into music,” says Elaine.


   “It’s an easy for me to host in this kind of show because I’m into music,” says Elaine. Her natural love for it makes her memorable in the minds of her viewers. That’s why she makes sure that all demographics could relate to the songs/videos in their playlists.


   She is a “one man army” of her show. “I’m the Director, Writer, Host, and Production Staff of my own show,” Elaine says. “Brigada station is not ABS-CBN that has resources to hire for additional personnel. We only just starting and I’m thankful that I have total creative control of my show.”


   In this kind of job, stress is normal. That’s why her stress reliever would be going out to see the beach or food to ease her (not in a depressing way). In her busy schedule, she finds time for her family and closest friends. 


   Elaine somehow becomes a local celebrity because of the influence of her show. “For me it’s a bit weird when someone recognizes you as VJ E,” says Elaine. “For example, when I was walking in the area of St. Elizabeth Hospital, someone shouted ‘VJ E!’.” 


   Most of the bashers/haters that she encounters in her show are criticizing her looks than her hosting skill. “Since we do not have avid sponsors, I only wear simple outfits. But I do not mind it because I more into my hosting responsibility than taking time wearing flamboyant dress.” 


“In this industry, it is not surprising that the people you encounter or work with shows different façade. I learn to be tough and to be not affected in them. I just do my job well and never let my guard down.”

   When she becomes a VJ, she has learned so many things. “Before I don’t have patience,” tells Ellaine. “Because of my show, I learn to have it. I also learn to balance things when I become a VJ.” She also learns to assess people in her field. “In this industry, it is not surprising that the people you encounter or work with shows different façade. I learn to be tough and to be not affected in them. I just do my job well and never let my guard down.”


   “I want the local artists to be known. I want them to have the chance or the opportunity to show their talent,” Elaine asserts.

   “It’s unfortunate that there’s no enough support for our local artist. It’s hard to be alone in this kind of advocacy. But I have still hope and that’s why I exert more effort to promote them thru Brigada Music Video and Tunog Local.” She wants Tunog Local to be more localized. She wants to promote it in the barangays and municipalities. “I want the local artists to be known. I want them to have the chance or the opportunity to show their talent,” Elaine asserts. Thru her show many artists are inspired to make their songs and music videos. Her show becomes an avenue to showcase it. 


"But the most important thing is that I am paid for my passion.” 

   “What’s the good thing about being a VJ is the free stuff,” says Elaine. “I love the free gifts, the free food and many people would like to befriend me. But the most important thing is that I am paid for my passion.” She doesn’t settle for less. She really pushes the limit and always thinks outside the box. Time will tell that her vision will become reality; that all her efforts will have awesome returns. 


“Aim high, shoot low,” as she declares.


   “Aim high, shoot low,” as she declares. “I want to uplift the local music scene thru my show,” Elaine confesses. “I want to promote the “tulungan system” where everybody collaborates for the same goal.”





originally posted in Yadu Karu's Blog

MSU EdTech Film festival: As one of the strategies for learning

Prof. Precy Regalado and her students during the 3rd MSU EdTech Film Festival

photo by Farrah Princess Restuaro


   Film is not only use as a medium for artistic expression and social action. The educators also use it as a medium for instruction. The College of Education in Mindanao State University-GenSan has this subject called Educational Technology (1 & 2). The class of Prof. Precy Regalado and Prof. Diane Mae Ulanday has this unique approach in dealing this subject. They use film as one of the learning tools for their students. 

   Three years ago, Prof. Regalado conceptualized the MSU EdTech film festival to showcase the creative outputs of her students. In its third year, the festival has its theme called “A tapestry of SOCSKSARGEN’s culture and beliefs”. Its objectives are to develop the talents and skills of students in filmmaking; and to promote the cultural values and beliefs of tri students in MSU. “The film activities that we have conducted will make my students globally competitive educators in the future,” Prof. Regalado says. The festival was held last March 15, 2015 at SM GenSan Trade Hall 2. As expected, it was successful and produced promising filmmakers in Region XII. 


   “This course focuses on the development of earning packages by utilizing the latest information and communications technologies in their design, production, and use in the instruction setting. It will expose the students to the multimedia applications in teaching and to alternative systems by making use of the MOLE, Computer-Based Instruction, online learning activities, Treasure Hunts and Web Quests, and the Intel Teach to the future pre-service curriculum as avenues for both teaching and learning.” 


   The festival has two categories – the short film category and short documentary. Nasser, a story of a lad who is torn between his education and familial obligation, won the coveted Best Film in short film category. While Abyan (Companion) won the Best Short Documentary not only in EdTech Film Festival but also in the 14th Kabantugan Awards. Chiriath Jearim Fernandez, the Director of Nasser and Farrah Princess Restauro, the Director of Abyan, are not timid to share their experiences in filming their first short films.


Chiriath, the Director of Nasser, shares his experience in filmmaking.

   The stories of both films were conceptualized during their brainstorming session with their group mates. “In our meeting we share stories. At first we have a story and presented it to Maam Diane, our consultant and Adviser, but she rejected it because it was a common one,” says Chiriath. “We meet again and think of a better story. Until one of my classmates shared about the story of his brother who had experience training in MILF camp. Maam Diane likes it and we pursue the story.” 

   “We have also brainstorming session with my group,” says Farrah. “We have a series of meeting to come up with the best story for our documentary. Until one of our classmates shared about his brother-in-law. We presented it to Maam Precy and she approved it.” 

   Just like other groups in their class, they have also contributed some amount to materialize the project. They have also asked for solicitations and sponsors to cover expenses. In the case of Chiriath, Barangay Pananag in Maasim Sarangani Province supported their project. Since most of their scenes were shot there, the barangay and its people extends their help to their group and provided logistical support. On the other hand, Farrah’s team has also received support from the people that they have collaborated. Through their participation and guidance they are able to make their documentary. 

   Nasser’s theme becomes apt in today’s peace process condition. The Mamasapano incident became their motivation to pursue their film project. “In our film, we want to share that war is not the solution to attain peace. As what Nasser, the protagonist of the film says – ‘War is not the solution to achieve peace, it’s better to be educated,’” Chiriath points out. 

   “One of our unforgettable experiences while filming Nasser was when the actor mistakenly identified as an army because he’s wearing a camouflage. We were really nervous that time because we are in the territory of the MILF. But we are thankful that the brother of my classmate was there to explain our purpose in the area,” Chiriath recounts.


Farrah, the Director of Abyan, entrusted her faith in God to finish his first short film.

   In the case of Abyan, faith is their reason why they make their documentary. “The cultural belief in superstition is embedded deeply into our culture that it’s difficult to unravel,” says Farrah. “Before we conduct our interview, we start with a prayer.” During the shoot, they felt the presence of the Abyan. For example, their DLSR camera would shut down for no particular reason. There’s one instance that their camera would easily overheat. Faith in God serves as their protection in making their project. “It needs faith to believe,” Farrah declares. 

   In shooting their first film, they have learned lessons that they would never forget. “We learn to be patient, to have perseverance, to give trust to each other and most especially to have faith in God. We never surrender despite the challenges we have encountered,” recounts Farrah. 

   “Through making our short film, we learned to listen to the ideas of our group mates. We learned that unity is the best option we have to make if we want to succeed in this project,” says Chiriath. 

   Their efforts were paid off when they won the top awards. Both of them did not expect the decision of the juries of the film festival. 

   “I’m not expecting that we’re going to win,” says Chiriath. “It’s an unexpected moment.” 

   “We did not expect that we would get the Best short documentary award,” says Farrah. “We are thankful that most of the audience during the event are happy and said that our film is unique.” 

   I admire their courage in pursuing their stories for their films. In the case of Nasser, their short film is one of the proactive ways in advocating peace in Mindanao. In the case of Abyan, I salute them for being brave in pursuing the story despite the supernatural incidents they have encountered. 

   “In spite of harsh criticisms you get, stand what you believe is right,” says Chiriath. “Share stories that have impact to the lives of the viewers.” 

   “We should give our best,” Farrah says. “We should never surrender in the challenges we encounter. We should have faith in Him.”



PRODUCTION TEAM of Nasser 


DIRECTOR: Chiriath Jearim Fernandez
ASST.DIRECTOR: Sheraina Usop
SCRIPTWRITERS: Chiriath Jearim Fernandez, Sheraina Usop, Avalyla Pagadatan and Armel Ian Fernandez
TRANSLATORS: Sheraina Usop, Rowaiza taman and Abdurrahem Maton
LOCATION MANAGER: Sittie Joraina Ramirez
CAMERA MAN: Josephine Tejada
Technical Asst.Jana Zaragoza
EDITOR: Josephine Tejada
Creative consultant: Prof.Diane Mae Ulanday
DIRECTOR: Chiriath Jearim Fernandez
ASST.DIRECTOR: Sheraina Usop
SCRIPTWRITERS: Chiriath Jearim Fernandez, Sheraina Usop, Avalyla Pagadatan and Armel Ian Fernandez
TRANSLATORS: Sheraina Usop, Rowaiza taman and Abdurrahem Maton
LOCATION MANAGER: Sittie Joraina Ramirez
CAMERA MAN: Josephine Tejada
Technical Asst.Jana Zaragoza
EDITOR: Josephine Tejada
Creative consultant: Prof. Diane Mae Ulanday




Production Staff


Name
Position
Marjorie Barrientos
Leader/ Technical Director
Farrah Princess Restauro
Director
Joderic Lebrita
Assistant-Director
Reena Mae Lustan
Director of Photography
Earl Precious Gem Neri
Asst. Director of Photography
Fetche Mae Benlot
Production Manager\ Asst. Art Director
Ria Bayato
Art Director
Queenie Aringa
Assistant Art Director
Shiny Osorio
Location Director
Shirly Joy Kiyugan
Assistant Location Director/ Secretary
Justine Deramon
Make-up Artist
Excel Grace Gamolo
Make-up Artist/ Food Committee
Jade Duran
Make-up Artist
Ariane Tambukong
Make-up Artist
Almira Yusop
Wardrobe/ Food Committee
Prexy Humang-it
Wardrobe
Kimverly Pabicon
Wardrobe/ Treasurer
Julie Ann Babao
Food Committee
Mary Barbie Ronulo
Food Committee
Belinda Domingo
Script Writer
Esther Pujol
Food Committee



originally posted in Yadu Karu's Blog 

Wednesday, April 15, 2015

ArtVid 2: Axl Grico



ArtVid is a series of experimental short videos that showcases the different artists in SOCSKSARGEN. In the second series, Axl Grico bares his identity as a young rap artist in GenSan.



Tuesday, April 7, 2015

Ang Ikalabindalawang Paraiso


   Champ Biala’s ‘Ang Ikalabindalawang Paraiso’ album expresses his creativity into the next level. As a musician, he always makes new twists for the ears’ gratification. Among the 5 tracks in the album, 3 are my favorites. They are Sulo, Uhaw Napawi and Ang Ikalabindalwang Paraiso. The album is created for the tourism Ad campaign of Region XII

   The album is a fusion of nature’s music and indigenous vibe. It can be compared to New Age Music with Electro popish sound. It has an enigmatic sensation that can be a source of contemplation. The album becomes escapism for a jaded soul waiting to be replenished; a soul that wants to be intoxicated in the beauty of the 12th Paradise.





Saturday, March 7, 2015

Bryan Wong’s ‘Hulugway sa Mamumuno’ and his image of creativity


   When I first heard the name of Bryan Wong, I thought he was a six generation Hong Kong/Taiwanese Film Director. When I got the chance to meet him in person, I am amazed on how this guy manages to shoot his first film using only one camera. If you watch his Hulugway sa Mamumuno (Portrait of the murderer), you will get amaze of its technical aspects knowing that he has no background in filmmaking. Along with our conversation, he shares many great stories that can contribute to the peace development here in Mindanao.

   Bryan Glenn Wong or simply Bryan is a multi-talented artist that has lots to offer. Aside from being a filmmaker, he is songwriter, composer and a singer who likes to share his talents for the glory of God. His first project was the Magandang Umaga SOCSKSARGEN jingle of ABS-CBN GenSan as recommended by his friend, Joey C. He also composed the official theme song of Glan entitled Lungsod sa Glan. He is also a member of Filipino Composers Development Cooperative (FILCOMDEC) and participated in the KBP’s Pop Music Festival

   Since the municipality of Glan loves his works, he was commissioned to make the centennial song of the municipality. He wrote and directed the music, lyrics as well the music video of the 100 years centennial song of Glan. “I am thankful that the people loved it. They express their appreciation thru sharing the music video in different social networking sites,” Bryan says. 

   Bryan has no formal training in making music video or film. He makes time to do his research and watch tutorial videos in Youtube. “When I made the two music videos, it has only minimal (or without) cost and a DSLR camera. The help and support of my friends also contributes to the success of the two music videos. I made those music videos for the love of Glan.”

   He describes himself as “one man army”. He is the Director, Writer, Cinematographer, Editor and Musical Scorer/Composer, Singer and Actor of his works. Most of his promotional projects in Glan have no compensation. He helps promotes the municipality without asking for any monetary return. 

   During the ‘Gabi ng Parangal’ event of the municipality’s centennial anniversary last year, Bordee Carillo, the festival director of Lantawan SOCSKSARGEN Film Festival (LSFF), saw his works playing in the projected screen. Bordee loved it, and he encouraged Bryan to join the film festival. “At first I was hesitant to join because I do not have the knowledge as well as the experience to shoot a film,” as he recounts. “But later on I realize that I should give it a try. It was a blessing in disguise.” 

The car scene from 'Hulugway sa Mamumuno'
Photo by Bryan Wong 

   The concept of his film was derived while he's driving. “When I was driving to Glan, I was thinking that what if you hitch someone that has crooked mind. Before you realize it, it’s too late for you to escape. It’s a hitchhiking gone wrong,” says Bryan. 

   Bryan also encountered challenges in making his first film. “We encountered many challenges before and during the shooting of my first film. Just what I said, I do not have idea or training in filmmaking. Some people said that it is difficult for me to shoot a film if I do not have a camera. But I did not mind them and continue to shoot my first film. When I won in LSFF, they were shock because I successfully surpassed all the challenges in filmmaking and I got the major awards,” Bryan says. 

   Through his genuine passion, unique vision as well as faith in God, he proves that he can make a good film. “I am really blessed by our Almighty God,” says Bryan. “I felt like it was an easy task to do.” 

   Bryan did not expect the reaction of the audience during its premiere in LSFF. “I am thankful that many viewers appreciated my film. I did not expect that they loved it. Some of the filmmakers got amazed because I only used one camera in the film. They thought I have many cameras since I shot the car scene in multiple angles.” 

   Because of this, he receives lots of praises from the audience. “I am not used to praises. I am just a neophyte. I just gave my best.” Moreover, he feels honored that the juries of the said event recognized his efforts. “I feel fulfilled when LSFF recognized my efforts. I am glad that they appreciate my work. For me the awards that I got from the film festival were just a bonus. The important thing is that, I share my talent in a positive manner and make the people entertained.” 

   He also dedicated his Best Director award to his fellow filmmakers in the event. “I did not consider my fellow filmmakers in LSFF as competitors. I treat them as my brothers and sisters,” Bryan stresses. “Let’s create films for the benefits of our society.” 

   Before these recognitions came, he experienced the life that has no clear direction. He was drunkard and always party a lot. He does not take full responsibilities of his action and has no communication to God. “All of these events in my life change when I get diagnosed with Ulcer. It’s a turning point of my life. I realized many things and I reconnect to God.” 

   Bryan is a good man now with a clear purpose in life. He is active in his church and created a band to sing the words of God. Most of his works benefits the people he helped. “I usually create songs, music videos and films that are sensible and can enrich the lives of the people,” Bryan says. 

   Bryan is a fighter and a risk taker. He is not afraid to gamble in life’s opportunities. “The more difficult the task or project, the more I get challenge. There is always something that we can do.”

   In the near future, he would like to make more films that are entertaining and at the same time have lessons embedded in it. His second short film will be an action thriller based on real events. 

   “It’s not a hindrance if you do not have resources or equipment. As long as you have the passion, the vision and a positive mindset, you will be successful in making films,” as he advice.

His first short film garnered the Best Director, Best Editing, Best Sound and Best Production Design
in the 1st Lantawan SOCSKSARGEN Film Festival held last year in GenSan.


Originally posted in Yadu Karu's Blog