A memory of Direk Francis

with Direk Francis during the GenSan Summer Film Camp, May 2013

   In his young and successful career as a Filmmaker, it was shocking to know that Francis Xavier Pasion passed away. 

   I first got acquainted with Direk Francis during the first GenSan Summer Film Camp organized by SalaMindanaw Asian Film Festival (formerly SalaMindanaw International Film Festival) in the summer of 2013. Like any other neophyte student of filmmaking, I immersed myself into it. The intense and hands on film workshop was overwhelming yet very enlightening. Along with other participants, we immersed ourselves in the world of cinema by learning, feeling and breathing films for five days. As what Gutierrez Mangansakan II, the Workshop Director, said: “In the end, we don’t want to be merely FILL MAKERS – we want you to become thinking FILMMAKERS. 

   As one of the mentors of the film workshop, Direk Francis shared his experiences in filmmaking. He told us how hard to make a film and also points out its rewarding part. He also shared some tips in story development, as he said, “In making films, the story should be base in the real world – that you have a connection with the story – a story that you are familiar with.” One thing I would never forget about his lesson was the word “bali”. This “bali” is important in developing or writing screenplay. This word aids me to be critical about my stories. 

   Even though we did not have a long one-on-one conversation, I cherish those moments where he taught us valuable lessons in filmmaking. His lessons as well as his filmography are consciously and subconsciously embedded in our minds. In his brief yet meaningful stay on Earth, I am thankful that I was his student and he was my teacher.

   Thank you Direk Francis. 

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The Beginnings of Cebuano Rock Music | Lorenzo "Insoy" Niñal | TEDxUniversityofSanCarlos

Repost: "How do you start a new genre of music? When you have no directo benchmarks to follow, where do you begin? Insoy shares his journey as he tells us how he started what is known today as BisRock and BisPop along with a surprise that just shocked the audience."

"Insoymada isn’t the daily bread, but he can breathe life into words. A columnist and songwriter, his passion lies in the dialect, bending it in all its forms; sa balak, sa suwat, sa kanta. Insoy is also one of the brains and hands behind Vispop, and sings for Missing Filemon."

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The Undying Dream of Pangarap music video

   I did not expect that I would shoot another music video last year. After Chillax, I promised myself not to shoot another one if my collaborators are imbecile. But I broke my promise for some unexplained reason. I also cannot refuse Marlon (Licko’One) since he is my friend and for my advocacy of helping independent artists. Pangarap (Dream) is somehow a reminder of my dreams in life. It is like a wakeup call to continue pursuing my dreams.

   It was timely knowing the fact that I felt down last December. I did not have the drive to do creative things last year. After the activities during the previous months, I dedicated the month of December for a good rest and contemplation. It was also a detoxification of toxic people that I have socialized.

   I undoubtedly said yes when Marlon asked me to direct his music video. It was fast. I did not pause and think of what was the implication of my decision. As I expected, I had difficulty working with them (except for Marlon since it was our second collaboration). Since they do not have background in shooting a music video, I adjusted myself to get along with them. It was pain in the ass especially Cynille Kaye (co-singer) and Michael Pagco (the videographer). They did not have the sense of professionalism that I imagined.

   Again, we did not have the hi-tech equipment to fully materialize my concept. I just did the same old trick of improvisation. I was expecting that Michael would provide the necessary equipment because he volunteered himself and made a promise during our meeting. But he broke his promise and I end up being the main Cinematographer. Thanks to Dado’s initiative that he became my instant Production Manager during the shoot.

   I did the magic trick to compensate the lapses. I would not let the music video to be a wreck. I stick to the original concept in which I incorporated ordinary people to give hope that dreams do come true. I want to give the audience the feeling of encouragement to continue pursuing their dreams no matter what status they are in life. I also put some element of Marlon’s dreams and my interpretation of it.

   Making the music video was a therapy. It was like finding myself in the midst of uncertainty. I am still thankful even though the shoot did not have the spectacular equipment or the ideal crew. The limited resources are not hindrance for creativity. Just like what I said in my previous blog posts, making a music video is my experimentation of concepts. It is a perfect moment to play ideas.

   The experience of making it served as hope to continue dreaming and take concrete actions out of it. It is epiphany as the poet claims. It is deus ex machina as a Greek tragedy proclaim. Whatever would it be I am fortunate I to have it. I am thankful to the Supreme Being for giving the experience of dreaming again.

Please watch the music video below:

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December Blues

   December – the month where I feel lazy, depressed and tired of everything. I do not know why I feel that way. Maybe I absorb too much negative vibes this year that it has a late effect on my part. I feel so uninspired. I feel so cynical about life. I feel like all my positive energy has been vacuumed that I am too disoriented to notice. I write this piece because I want to release this feeling through writing. 

   I noticed that my positive outlook in my life is starting to fade away. It seems that I become indifferent. It changed the way I think, the way I speak and the way I get along with people. Up until now, I am still contemplating its cause. 

   It is weird because I am always thinking of death. It is like I am obsessed with the thought of dying. I feel like I am Emily Dickinson who always thought about death. If I die, do I have an impact to the world? Do I achieve something? Or am I depressed that is why I think about those things? Maybe I am just surrounded by toxic people in the past months that I tend to deny its subtle effects in my system. 

   At the bright side, I am somehow thankful because I have the time to think about my life. What I am doing now to have a wonderful future. Is there career advancement in the past five years? Am I successful? Or I am just delusional about it? 

   I missed my own activities. I missed my blogging activities, my own travels, the genuine socialization and the interview sessions; my pleasurable reading and film activities, community immersion and my own research. That is why I read career and inspirational books as well as videos to get inspired. I felt lost for a while and I need to go back in the right track. I need to detach myself from negative people as well as their intolerable gimmicks. 

   December – the last month of the year. It is a perfect moment to reflect. It is a perfect moment to contemplate on the things that happened in 2015. It is the right moment to review goals and mission in life. It is the right month to reenergize for the next year’s relevant activities. I need to reinvent myself for the better. I need to be myself again to be sane and germane. 

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Chillax (Official Music Video)

AXL GRICO (left) and Licko'One (right) 

This is the official music video of AXL GRICO & Licko'One entitled Chillax. 

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ArtVid 3: Caera & Edward

Caera Grace Lastimosa Agduma and Edward James Perez Sinforoso express the other side of their creativity in the 3rd series of ArtVid.

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Ang Ikalabindalawang Paraiso

   Champ Biala’s ‘Ang Ikalabindalawang Paraiso’ album expresses his creativity into the next level. As a musician, he always makes new twists for the ears’ gratification. Among the 5 tracks in the album, 3 are my favorites. They are Sulo, Uhaw Napawi and Ang Ikalabindalwang Paraiso. The album is created for the tourism Ad campaign of Region XII. 

   The album is a fusion of nature’s music and indigenous vibe. It can be compared to New Age Music with Electro popish sound. It has an enigmatic sensation that can be a source of contemplation. The album becomes escapism for a jaded soul waiting to be replenished; a soul that wants to be intoxicated in the beauty of the 12th Paradise.

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Paul Llanos and his Portrait of Literature

   Among many photographers that have existed today, only few show remarkable ability that makes them standout in their field. One of them is Paul Fernandez Llanos, a photographer who displays not only his incredible eyes in taking photos but also his sincere love for photography. 

   Paul was graduated in Notre Dame of Dadiangas College (now Notre Dame of Dadiangas University) with the degree of Bachelor of Science major in Computer Science. His interest in photography took shape after he graduated in college. It started as a hobby that eventually turned into love affair. He joined his friends in taking wedding photography shoot to experience the fun of it. As they say, the rest is history. 

   “At first, I am not aware that I have a talent in photography. I just join my friends, take photos and enjoy it,” Paul says. 

   When he uploaded these photos in his Multiply account, someone noticed it and contacted Paul. “When I posted it in my Multiply page, I did not expect that someone would appreciate my photos. I didn’t intend to brag it or to persuade someone. I just wanted to share it. Then an OFW contacted me and wanted me to be her photographer in their wedding,” Paul says. “She was my first client and I am glad that she appreciated my output.” 

   Paul is a self-taught guy. He learns photography thru scouting and reading photography lessons in the internet. He also learns from his good friends as well as attending some photography workshops. 

   As a wedding and portrait photographer, he is not fond of looking of other photographer’s work because it may hamper his creativity. But he also admits that he has idols in this field. “I try not to look at other photographer’s photos. Sometimes I cannot conceptualize because I’m spending too much time looking at it,” Paul says. “But I stick to two photographers that I look up to. They are Oly Ruiz of Metrophoto and Lito Sy,” he adds. The said photographers are his inspiration to take great photos and share it with passion. 

   Paul has his own concept. He creates a unique composition and tone that set him apart among his contemporaries. This style makes him the source of imitation to other neophyte photographers. “It’s ok with me that they imitate my style. It’s ok if they consider me as their inspiration. Sooner or later they will have their own style.” 

   Paul does not abhor the idea of using photo editing software like Photoshop in photography. “Using this tool, it can enhance the image,” he says. “It will add beauty and value to it. Depending on its usage, this tool can make or break the career of a photographer.” Paul also emphasizes that every photographers has its own style; whether they use Photoshop or not, it still depend on their eyes as photographer. 

   In terms of style, his body of works presents clean shots with vibrant colors that have its unique tone that blends in the concept he desired. 

   Social Media helps market his works to the broad audience. For example, he uses Facebook to market his photos in a subtle way that is not annoying to the viewers. “I just post it in my Facebook Profile. I let my potential client scans the photos and let her/him decide if he/she loves it.” 

   What’s good about Paul is that he is not motivated by money. Unlike some photographers who are conscious about having a client, Paul is not forcing his potential clients to book him for their event. “I let them browse my work in Facebook. If they like it, it’s good. If they don’t, it’s fine with me. I am not forcing them to like it. They have the freedom to choose where to spend their penny,” says Paul. “Most of my clients love my work not because of its price but for my output.” 

   That why Paul is not accepting many clients because it can risk his output. “I only receive at least 4 clients a month depending on the situation. If I don’t limit it, it can cause problem in terms of post processing the photos and the delivery of it.” 

   Paul is aware that too much commercialization in photography can endanger the art behind it. “If your photos are too much commercialize it can devalue your output. Just like in food, if you lessen the ingredients of your viand, it can taste bad,” he adds. 

   One of the good traits of Paul Llanos as a photographer is that he shows genuine passion in his craft. This passion is not merely passion per se but passion that is grounded in reality. 

   Aside from photography, he also likes scuba diving, bike, and air soft. He is also a literary guy who likes to incorporate his poetic side in photography. For example, his tagline – “Where portraits become literature” – portrays different stories using the medium of photography. In an excerpt of his short essay, he says: 

   “I see beauty in the midst of chaos. Art in the most unexpected places. Angles in unsuspecting finds. Color euphoria in classic lights. Different patterns, various hues, it all results to one exceptional work of ingenuity.” 

   Paul wants to explore more in photography. Though he is almost 10 years in this field, he wants to stay relevant and updated for a fresh perspective. “I want to shoot in a new location or in a foreign land. For me photography is love. My love for this craft resonates in my photos. It keeps me inspired.” 

   “Keep shooting, keep practicing,” as he advice. “Don’t let your passion overrun by the idea of money when you go into this field.” 

This article is originally posted in Yadu Karu's Blog 

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The turning point

'Jamir' – was the title of my second short film. So far, it was the turning point of my career as a filmmaker. Why I say so? Because making this short film taught me a memorable lesson that is useful in my future projects. 

The film is about a boy who is torn between his familial obligations and his education. ‘Jamir’ is somewhat my statement about the peace agreement between MNLF/MILF and the Philippine Government. This short film was supposed to be premiered in foreign film festivals. Unfortunately, it did not make it nor should I say I did not submit it because of the “disastrous” outcome of it. 

I felt disappointed because of many reasons. One of the main reasons was I collaborated with the wrong people. That time, I was so overwhelmed by the idea of collaborating with Andrei Karoly Hernandez (a.k.a. Amaya Han) and my batch mate in GenSan Summer Film Camp 2013, Meika Vieve Catog (a.k.a. Lady M Chua). I thought they were good as a team in the film project. It turned out to be the opposite. 

My instinct told me not to pursue it because it shown signs like they did not read the script before we shoot the film. But I did not mind it because I was too stupid in clinging in such idea. I’m expecting that they’re good because Amaya Han is a film student in San Carlos University (in Cebu City) and Meika is a Mass Communication student in New Era University (Manila). 

That stupid mistake led to a domino effect type of disaster. I don’t mean to be a whiner here or to play the blaming game but after our shoot I was a bit depressed because of its outcome. I contacted them for several times. All they have were excuses implying they’re not interested anymore. I contacted them due to the fact that the film is problematic in terms of its technical aspects. I don’t know why they acting that they are not part of the film project. 

Instead of stressing myself of contacting them, I made a plan B to fix it. Instead of reshooting the film (as suggested by Teng Mangansakan), I only reedited it. My sister (who is the Producer of the film) and I decided to move on with it. If someone asks about the project, we never say any remarks on it. 

We are thankful that Teng Mangansakan considers ‘Jamir’ for the 2014 SalaMindanaw International Film Festival. And because of this, I submitted the film to the 10th Mindanao Film Festival and it was nominated for Best Film (in short film category). 

Even though they are spreading bad rumors about us, my sister and I don’t give a damn on it. We already moved on and looking forward to make the next film project. Because of this experience, we now assess our collaborators before a project begins. We really learn our lesson. 

I write this blog because it’s part of (my) history. It serves as a reminder that I should be smart, strategic and faithful to my vision as Director. It serves as proof that I should collaborate with people with the same wavelength as mine. This is not the sign of bitterness but enlightenment. I write this piece because I moved on.

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Inspiration goes astray

   December – a month that seems lack of drive to do my various activities. I do not know why I am not motivated to do the things I usually do. Am I am too exhausted in this year’s demand?

   The year 2014 offers lots of opportunities that are too overwhelming to refuse. From being a delegate of the 6th Cinema Rehiyon held in Cagayan de Oro City to being an Executive Director in a consulting firm. With these opportunities I am able to learn new experiences and meet new people. 

   In this month, I cannot think of a good concept for a project. My brain is not functioning well. It cannot formulate a viable idea. It seems that I am tired and only wanted to lie down in my bed. The only thing that I want to do is to read and watch movies or observe people passing in front of me. 

   I pause for a while. I do not have income for this month. I have bills to pay. But I do not care. I think I just wanted to rest for a while and gather inspiration. I write this blog to express my condition. To express how desperate I am to be inspired again. I am not complaining about this year. In fact, I am thankful of it. It’s just that I am become stagnant this month. I feel lethargic to move. 

   To avoid the bitterness, I look into the bright side of this condition. I use this case to reflect and analyze the year 2014. As I review the year, I get amaze because I did things that I really wanted to do. For example I made my second short film, two music videos and interview influential personalities in SOCSKSARGEN. I feel blessed, honored and lucky that I did all of those things. 

   How am I going to solve this predicament? Well, I guess I just have to go with flow and discover the answer along the way of this endless journey. I think it’s just the part of what they called the artists process. Maybe it’s just a typical case for a human being. Nevertheless, I just need a break.

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Caera and the story behind her photography

   Caera Grace Lastimosa Agduma or simply Caera is a survivor in her own right. In her 24 years of existence she managed to overcome her dark past and became a messenger of the words of God. She is one of the rising photographers in SOCCSKSARGEN. She is improving and evolving as a photographer and nothing can stop her in expressing her ideas in a positive way. 

   Caera recounts the days when she lost herself. As I describe her, she is a good girl gone badly because of what she experienced in her family. “I rebelled to my parents before,” Caera said. “I neglected my studies, I smoked marijuana, I partied a lot and did many other things that a rebel youngster would do.”

   When I heard all of these, I was a bit surprised because I can’t imagine how she was able to overcome all of it. “That time, Harry Potter and witchcraft were my form of escapism,” as she remembered. “Before, I cannot face the reality so I secluded myself and went into my world.” 

   It’s a spiral of negativity that’s hard to untangle. But thru God’s help, she excluded them out. “All of the said negativities in my life were all gone when I reconnected with God,” she pointed out. "It was a life changing opportunity when I joined the Youth with a Mission (YWAM) last year in Antipolo City."

   “YWAM is a miraculous experience. I thought I could not make it because I did not have money for my (daily) expenses. God helped me through channeling it to my friends and acquaintances.” 

   One of the things that she cannot forget in her YWAM experience was the Mangyan child named Alvin. Alvin inspired her in so many ways. “His innocence really amazed me. When we were in their community, he asked so many questions, he was curious of so many things and he’s fun to be with. His innocence made me realized so many things not just for myself but also for other people.” Through that experience she learned how to face the reality and her creativity started to evolve which eventually lead her to photography. 

   She started in photography using only her camera phone. She fondly took photos and posted it online. Luckily, it gained popularity and became an inspiration. Until one day, her mom got a Canon 600D camera because of work related tasks. She took the opportunity to use it and learn the art of photography. Her first mentor was her boyfriend, Edward James Sinforoso who taught her the basics of photography and the rest were history. 

   What’s remarkable about Caera as photographer is that she is more into actual practice than theory. She knows the basic in photography but she’s not really dwelling into its theory. “It hinder creativity,” as she said. Kitty Gallannaugh, Fade Longboy, Edward (her bf) and his father are her inspirations. 

   Caera’s photography is more into Bohemian/Gypsy style with a touch of vintage and a little twist of eccentricity. “I see things in a different way. In little things I can create a story.”

   She only started photography last February but continuously gaining a lot of followers. Her Facebook page now has thousands of likes (and still counting). Caera was also the brainchild of the first “shoot out” in Koronadal City which gathered many participants. Because of its popularity, some photographers replicated this idea. 

   At first, Caera only borrowed camera from her friends until she was able to buy her own. It was when she saw a post (online) by one of her friends who sells his camera (Nikon D700). Out of frustration, she made a shout out (on Facebook) pertaining to it which was noticed by one of her clients who helped her acquire the camera. “God is really great,” she said. “I prayed to Him and asked for it, and He gave it.”

   Her works is based on creations of God. She uses photography to share the words of God. “I live by faith and I express it through photography”. Furthermore, most of her works have the touch of nature with lovely colors.

   “Photography is part of my life. If you’re observant, it reflects my life, my mood and my state of mind.”

   There was a time Caera experienced being bullied because of her photography, but she made that experiences as her motivation to improve her works. Instead of dwelling into it she focused on its positive side. “Through this experience, I discovered who really my friends are. I also learned to forgive,”she said.

   “I really admire individuals who only competes with himself/herself and not with others,” she said. Caera admires those who only do their best and not joining the rat race. 

   “Don’t mind the camera,” as she said.“Try to find your (inner) creativity. Your eyes serves as your lens to the beauty of the world. Share your vision and be an inspiration.”

originally posted in southcotabatonews.com 

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If I have him

   He is rare. He is one of a kind. He is one in a million. It seems that his kind is becoming extinct. His philosophy is worth practicing. His eyes have a similar vision of the Creator. His photos are timeless. He is George Tapan.

   I did not hesitate to attend his mini seminar last September 11, 2014 at Sydney Hotel, GenSan. I want to hear his thoughts about photography and the art behind it. Although I did not attend his three day photography workshop (organized by Louie Pacardo), I am still thankful to attend his first activity. 

   In his seminar, he talked about the brief history of photography. How camera invented and how photographs changed the history of humanity. He shared about his winning photograph in the National Geographic photo contest. He also discussed the elements of a good photograph. The (mini) seminar also has an open forum where the participants asked freely their questions regarding photography.

One of his travel photography books

   “Let’s capture the Philippines in a beautiful way, “as he said, pointing out the importance of photography in capturing the beauty of the Philippines. And because he is a travel photographer, he believes in the power of photography in promoting the Philippines as a paradise to the foreign and local tourists. His collaboration with the Department of Tourism (DOT), the Philippine Airlines and his five travel photography books prove his dedication in helping the Philippines to be the top tourist destination in the world. 

   “A great photographer has a passion, dedication as well as patience in capturing a moment,” he said. “It is not like a fast food (restaurant) where you can order your food in a minute. Photography is patience. Wait for the right moment to capture a great photo. Don’t stop if you don’t get the right angle.”

Mr. Tapan's first camera

   His father is also a photographer. He got his first camera in 1965 while he took his first photo in 1969. He is self-taught photographer. He learned photography from reading/scanning his collection of National Geographic Magazines. He also learned thru research, travel and experimentation. “You have to research if you want a great photo,” as he explained. “You have to travel to have an inspiration. Learn the culture of the place you visited. Plan your shots and be creative”. 

Mr. Tapan's first photograph 

   I really admire his photographs. If you look at it, it seems so alive. It’s like I’m in the photo with him when he took it. His photos stimulate your mind. It’s magic. “All photos must have soul. Try to capture the soul of the picture. Photography has a purpose, it should be shared.”

   This man is not a brand conscious. If he likes to use a Nikon or any camera just to have his desired photo, he will use it. “Try to experiment with your equipment,” as he suggested. “Thru experimentation you will learn a lot from it.” 

Mr. Tapan discussed about different camera lenses.

   He is not fond of using flash and (adobe) photoshop. He is more into natural looking photographs. If it is dark, he uses flash light instead of camera flash. Moreover, he thinks and analyzes his subject before he photographed it. “You should consider whether your subject is appropriate in a situation or moment you want to shoot,” he said. “For example, if you want to capture a woman who wears a bikini in the beautiful waterfalls, you should think whether the woman in bikini could be a distraction to the beautiful waterfalls. In short, think the right concept for your photo.” 

   “Dream big,” as he advised. “Your photographs are not intended for Facebook only.” Mr. Tapan pointed out that photographers should not depend on uploading their works on Facebook. “Photography is not all about yes and likes on Facebook. If you dream that your works will be published on the National Geographic magazine or in the Mabuhay Miles magazine, then you should work on it. Dream big.” He also said that mistake is normal for a photographer. “By taking photos, you will learn from it. You will learn from your mistakes.”

   Mr. Tapan also emphasized the importance of etiquette in taking photos. A photographer should ask permission and research about the place he/she visited. A photographer should be respectful and culture-sensitive. A photographer must conceptualize before he/she take photos. 

   When one of the participants asked Mr. Tapan on what’s his secret to have great eyes in taking photos, he said, “I always pray to God to have good eyes in taking photos. I also pray for a good weather.” 

   His body of works speaks a lot about him as an artist. Despite his success and recognition, he remains humble and open for learning. It is sad to observe that most of the photographers today have this “huge ego”. It keeps them blinded on the reality of life. It weakens their artistic expression and creative mind. They are more into flaunting their gadgets and equipment not to capture the beauty of life but to intimidate others. They are busy profiting their so called “masterpiece” that they tend to forget their responsibilities as photographers. 

   How I wish I have George Tapan-type of Cinematographer in my film production team. I don’t mean to be a delusional dork here but his eyes as a photographer are truly amazing. Well, I look forward to meet that kind of teammate in the near future. As of this writing, I am still intoxicated with his works. I’m on this wishful thinking-mindset that if I have him on my team, our art work would be as great as other great art works in the world……if I have him.

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Per & Daisy Prenup AVP

Photo by Van Almeria (The Walking Eyes)

Project Title: Per & Daisy Prenup AVP

Created by: G.V. Alfasain 

Production House: The Walking Eyes & Love Metaphor

Engagement Styling: Vina Routel 

Photography: Van Almeria 

Music by: Erh (freesound.org) 

Location: Sarangani Highlands

Couple: Daisy Soler & Per Solhaug 

Date of shoot: September 2, 2014

An experimental video made for the couple.

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Kanulo: A conversation with Joel Aquino

photo by Joel Aquino 

   I first met Joel Aquino last year at the GenSan Summer Film Camp. If I describe him, he is silent but when you got the chance to talk to him, he speaks sensible and sometimes philosophical topics. This guy is a “sleeping giant”, waiting for the right moment to strike with his unique vision as a filmmaker. In an interview, Joel shares about his film Kanulo (Betrayal) and how he overcomes the challenges in making his first (short) film.

What’s your history as a filmmaker? 

First, let me thank you for this chance to speak about my first ever venture in filmmaking. I will say Titanic is the film that let me aspire to become a great director. I was in high school then and my classmates fell in love with it. I saw that several times already but I fell in love with the film as a whole and became interested in making one. I hope I will also have the chance to make big impact on many people as possible. 

My first exposure on how to make a film was when I joined DV8 (Deviate) filmmaking workshop. It was a project sponsored by the National Youth Commission (NYC) which aimed to promote the millennium goals. Unfortunately, I was not able to finish it. But I continued dreaming. 

It took several years before I got the chance to attend a directing workshop. I was in my late 20s already, the time that I already had the financial resource to support this dream. I attended IIFA’s (International Institute for Film and Arts now known as International Institute for Film, Broadcast and Arts) directing, basic cinematography and production management workshops as facilitated by international commercial director Crispo Mojica. Then, I was still perplexed in the process and still quite intimidated. 

Then through Facebook I discovered Film Gym and met the people who supported me on my first attempt. We were taught by commercial and legendary director Serafin Reyes (he founded Mowelfund Film Institute) whom we fondly call Surf. He taught us about visual language. There, we explored creativity and the importance of basics in filmmaking. 

While attending Film Gym, a classmate told me about GenSan Summer Film Workshop which was headed by director Teng Mangansakan. I got excited. Then, there I met you guys and I found you all to be awesome. Salamindanaw was running in my mind. The agreement that we will do a short film was exciting and at the same time, frightening. What marked in my mind was the creation of story. That was developed in me in that workshop. 

A film exercise during the GenSan Summer Film Camp last year 

After Gensan, I also attended TGT (Talento Galing Tondo) Filmmaking Workshop. It was director Tony Reyes (director of many films that made us laugh), who headed this workshop. I joined in teacher/director Gerry Jumawan’s “Luha ng Kahapon” as an Assistant Director (AD). I also supported a friend’s mini-projects as supporting actor, gaffer and producer. 

Right now, I am attending director Armando Bing Lao’s Found Writing Workshop. 

Where did your idea for Kanulo’s plot come from? 

It was sir Borgy who suggested me to do a horror film project. He said that it’s not common in film festivals. I related that to my past experience of a friend getting possessed. While developing the story I picked up a lot of cues from online resources. Pretty much it is a real life story with spices. 

A scene from Kanulo (Betrayal) 

Can you tell me the challenges that you and your crew encountered during the shooting of the film. 

This is hard to tell but I will be honest that we had encountered a great one. During the shoot we encountered heavy rains, a typhoon was ravaging Luzon. Financial constraint was also a big hindrance. I thought that it will just be a breeze filming Kanulo but it was not the case. We had to re-shoot everything because we’re changing locations. Our budget was just for 2 days but the shoot extended to 5 days and we ran out of cash. Luckily, our Production Designer Icx lent his house so we can complete the said project. Thanks Icx. 

What did you learn from this project? 

As the director of the project I had learned a lot especially dealing with people. There were personal concerns that are until now not yet resolved but I am hoping for the wounds to heal in due time. 

Kanulo is supposed to be screened last year in the 1st Salamindanaw International Film festival. Can you tell me what happened? 

It was an unfortunate situation that Kanulo did not make it for the Salamindanaw International Film Festival. I felt devastated. We had a hard time getting that edited. I just had that project edited early this year. I studied editing for the sake of getting that done but eventually I outsourced the service. Perhaps, it is really not meant to be. 

The suicide scene (photo by Joel Aquino)

I notice your film has good make up and prosthetic. How did you prepare for it? 

I would like to give the credit to Icx Icay, this guy is really talented. He was our Production Designer and special effects master in that project. He’s also part of Lav Diaz’s Norte. It surprised me that he is into Philippine mythology. It helped me channel the feel of Kanulo. Also, my Director of Photography Oliver Cruz, he contributed a lot to the Kanulo project visually. 

Describe Kanulo in one word. 

Choice. 

What’s your dream film project? 

I love to make a film as lavish as Game of Thrones and the likes of Cameron and Bay’s films. l look forward to creating an Asian film similar to Avatar. That’s my visual preference. I understand Filipinos delve more into real life stories, I think I will veer away from that. For now, I can’t really tell and I am about to discover more. 

After Kanulo, what’s next? 

I am looking forward to getting into Cinemalaya and Cannes but much more I love my works to be seen by as many people as possible around the world. I love my name to ring in the ears of many people. I dream to capture the heart of the people through film and the like. That will be my dream. I plan to go mainstream but I am still building my portfolio. 

What advice would give to those who want to pursue filmmaking? 

It is never too late to achieve your dreams. At the age of 30, I am just getting started. Just do it. Rock on!

-KANULO (BETRAYAL)-

Synopsis: 

In life we are always posed with two choices: to gain or to lose. The story revolves around the lives of two friends who were left with a choice that matters a life and death. 

This started when a group of friends dared to call a spirit. They didn’t know that what they called was a fallen angel. This incident caused a breakup in their friendship and family. Jonas was sent to province and got renewed while Job had a hell-like life. Those who cared for him during his struggle died. This forced him to revenge on his birthday.

CAST & CREW 

Director

Joel Aquino

Producers 

Joel Aquino

Henry Iporac

Writers

Joel Aquino

Jane Mariel Andes

Asst. Director

Jennifer Dabu

Cinematographer

Oliver Cruz

1st Asst. Camera

Julienne Rei Sabiniano

Gaffer 

Eugene Adalia

Production Design

Jose Francis “Icx” Icay

Special Effects

Jose Francis “Icx” Icay

Audio

Henry Iporac

Editors 

Jillene Martin Baniqued

Regina Navarrete

Direk Teng Mangansakan

Script Consultant

Storyboard Artists 

Eugene Adalia

Jason Daño

Production Manager 

Jennifer Dabu

Location Manager 

Jose Francis “Icx” Icay

Leo Dilay

Jennifer Dabu

Behind the scenes 

Francis Lumahan

Henry Iporac

Eugene Adalia

Yul Roque

Leo Dilay

Support Staff 

Sherwin Ferrer

-Cast of Characters-

Jonas - Danilo V. Hernandez Jr. 

Job - Leonard Tabigue 

Luna - Julienne Rei Sabiniano 

Bal/Devil - Arthur P. Padillo 

Flagellant #1 - Joseph O. Moslares Jr. 

Flagellant #2 - Manny ‘Macky’ Peñaredondo 

Nona - Roan Kate Villalon 

Grandma - Rosalina Royo 

Dark entity - Jose Francis “Icx” Icay 

Pastor - Joel Aquino 

Friends - Jennifer Dabu & Rex ‘Noy’ Villadares 

-Special Thanks to: 

Jeffrey Sonora & Roxanne Roman 

FPJ Studios 

Icay Family 

Royo Family 

Dilay Family 

Meika Catog 

Chairman and Barangay Council, Barangay Onse, San Juan City 

Natividad Subd. Homeowners Association, Deparo, Caloocan City

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An Interview with Batang Polomolok

   It’s a rare moment to meet a man like Steven Rae H. Bañares or popularly known as Batang Polomolok (BP). His works shows uniqueness and creativity that benefited much of the people in the Municipality of Polomolok. His love for his hometown speaks a lot about him. 

   I first heard BP through Rommel Tesoro when we were working in a magazine last year. When he uttered that name, I got curious and excited to meet the guy that he always talks about. Until recently, I got the chance to meet him through Nanardxz. I did not regret it because I have enjoyed hanging out with him. 

   Steven graduated at the University of the East-Manila, with the degree of Bachelor of Science in Accountancy. Before he became Public Servant and Photographer, he was an OFW working as an Accountant in Riyadh, Saudi Arabia. For four years of working aboard, he went back to the Philippines and work for another three years as Senior Accountant in a company based in Makati City.

   Traveling helps him realize that he has a passion for photography. His experience as an OFW led him to the idea of Batang Polomolok. So he went back to his hometown to pursue his passion. 

   When he was in Polomolok, he took photos of people, events and landmarks to promote the municipality and at the same time give updates to the OFWs whose hometown is Polomolok. 

   “If taga Polomolok jud ka, taga Polomolok jud ka”, as he said (If you’re from Polomolok, you’re really from Polomolok.). 

   He understands that if you’re an OFW, you will miss your country especially you’re hometown. Through his photography, he helps ease the loneliness of Filipinos working abroad. 

   On July 30, 2012, he created Batang Polomolok Facebook Page. Through that Facebook page, BP became a brand that still recognizable not only to the OFWs but also to the people of SOCCSKSARGEN. 

   “I got the inspiration of the title Batang Polomolok from popular liquor (TV) commercial”, he said. “Rommel helped me design the logo, and then launched it online. I made a gimmick to gain more likes. At first, there were only 100 likes and eventually it reached thousands,” he added. 

   Because of the popularity of BP he became a “public figure”. “Before it is difficult to take photos from people because I am not known and they do not like the idea of it. Now that efforts of Batang Polomolok have been recognize, they are now willing to be photographed and be featured in the BP Facebook page,” he said. His popularity leads him to become endorser of local products and business establishments in Polomolok. 

   Steven is not merely a photographer. He is a photographer for a cause. He uses his photography to influence people to see things in a different perspective. For example, when he was invited in a Bikini Open, he took a photo of child watching the said event. This photo sparked controversy because of the child involved in the photo. It caught the attention of the Municipal Social Welfare and Development (MSWD) Office of Polomolok. “The photo is not intended to condemn the event”, he said. “It was just that the event is not appropriate to conduct in a highway. From the name itself, it is supposed to be conducted in an exclusive area like in a resort or beach. They should consider whether there is a minor watching. Moreover, the personnel who are responsible of releasing permits in this kind of show should consider this matter,” he added.

   Aside from his advocacy photography, he is also into wedding photography. His dream is to do a wedding project in the Bahamas. When I asked him if his Professional fee is higher, he only laughs and recounts the days when he was starting. “When I was starting as a photographer, I volunteer (and continuously doing) to document events and landmarks to help promote Polomolok. I did not mind any compensation because I am happy and willing to help the municipality,” he pointed out. Noel Nacion, Jommel Gregorio and Park Cruz are his influences and at the same time his inspiration to do his craft effectively and passionately. 

   Currently, Steven works in the Local Government Unit of Polomolok. Because of his versatility, he is not only working in the Mayor’s office (under Hon. Honey Lumayag-Matti), but also in Public Information Office (PIO) and in Tourism Department. His love for Polomolok fuels his ideas to conceptualize more of tourism activities and other promotional initiatives. 

   Despite his success and recognition he remains humble. With this status that he now reaches, it is expected that bashers and haters are ready to devour him. “You cannot please everyone. Some people are not fond of my photos. They are busy finding its flaws and not concentrating on its good contribution,” he said. For me, there is no perfect picture. It depends on the eyes of the photographer and his/her emotion when he/she captures a moment. I ignore it, but sometimes when it gets too personal, I stand what’s right. So don’t get easily discourage of bashers,” he affirmed. “Instead thank them because they are the one who motivates you to do well”, he pointed out. “Push lang nang push”. Furthermore, he uses his popularity to influence people. For example, he used his Facebook page to help gather donations for the victims of typhoon Yolanda. He did not expect that his Facebook shout out would gain more response and donations. 

   I enjoyed chatting with him because it’s fun and refreshing. Our conversation ended up because my phone rang. That time I realized that I have meeting to attend. When we separate ways, I still think his words. His story still resonates in my mind. I admire his dedication to help his hometown.

This article is originally written for SouthCotabatoNews.com 

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