Showing posts with label film festival. Show all posts
Showing posts with label film festival. Show all posts

Monday, November 2, 2015

Mindanao Screen Lab participants announced



   The twelve participants to the inaugural Mindanao Screen Lab have been announced.

   The 2015 participants are Joe Bacus (Cagayan de Oro), Theo Lozada (Davao), Sharon De Los Santos (Davao), Ryan Joseph Murcia (Zamboanga), Almojaimen Talib (Kidapawan), Najib Zacaria (Lanao), Orpheus Nery (Cagayan de Oro), Mohalidin Suga (Cotabato), Bhas Abdulsamad (Tawitawi), Jasmine Limas (Cagayan de Oro), Jean Kirvy Waga (Davao) and Julienne Ilagan (Cagayan de Oro).

   The Screen Lab is designed as an intensive learning program that provides emerging Mindanao filmmakers hands on training as well as project development sessions that will transform ideas into films. This year’s mentors include Filipino director John Torres (Todo Todo Teros, Lukas Nino), Mindanao’s own Teng Mangansakan (Limbunan, Qiyamah), Singapore’s Kan Lumé (Liberta, Naked DJ), Sherad Anthony Sanchez (Huling Balyan ng Buhi, Imburnal, Jungle Love) and other Asian filmmakers.

   Mindanao Screen Lab is co-presented by forumZFD, National Commission for Culture and the Arts and Mindanao State University General Santos City-Graduate School.














Originally posted in salamindanaw.org

Monday, October 26, 2015

Third SalaMindanaw IFF unveils Asian competition line up


   The third edition of SalaMindanaw International Film Festival has announced the official competition line up of the Festival scheduled from November 18 to December 2, 2015 in the cities of General Santos and Cotabato.

   Six films will vie in the Asian full-length competition. These are Chasing Waves (Charliebebs Gohetia, Philippines), Under Construction (Rubaiyat Hossain, Bangladesh), Jalanan (Daniel Ziv, Indonesia), Snakeskin (Daniel Hui, Singapore), River of Exploding Durians (Edmund Yeo, Malaysia) and Mencari Hilal (Ismail Basbeth, Indonesia).

   Meanwhile, seven films will compete in the Asian short film section. These are Elegy (Yousef Kargar, Iran), When The Boats Come In (Khin Maung Kyaw, Myanmar), Man in The Cinema House (Bernard Jay Mercado, Philippines), The Cat and The Orange Seeds (Nguyen Le Hoang Viet, Vietnam), November (Shane Lim, Singapore), Following Diana (Kamila Andini, Indonesia) and The Young Man Who Came From The Chee River (Wichanon Somumjarn, Thailand).

   With the exception of Bangladesh and Iran, all films in the line up are from Southeast Asia.

   “On our third year, the Festival’s programming is closer the vision of SalaMindanaw, which is to make the Festival a platform for Southeast Asian cinema,” festival director Teng Mangansakan revealed.

   “2015 marks the goal of ASEAN Integration. SalaMindanaw seeks to determine common images, icons and issues that form part of the Southeast Asian film iconography and discourse,” Mangansakan noted.

   SalaMindanaw is the first and only international film festival in Mindanao. It is organized by the Mindanao Center for the Cinematographic Arts.







Originally posted in salamindanaw.org 

Friday, August 14, 2015

Salamindanaw calls for submissions


The call for submissions is now open for the third edition of SalaMindanaw International film Festival. Competition is open in the following sections: Asian full length, Asian shorts, and Mindanao shorts. Narrative, documentary and experimental films are welcome. Films must be produced after January 1, 2014.

Deadline of entries for the Asian section is on September 15, 2015, while the Mindanao short entries must be submitted before October 15, 2015. All films must be presented as Mindanao premiere except for Mindanao shorts which must be presented as world premiere.

Online screeners are encouraged, but should you wish to send a DVD screener, please contact us at festival.salamindanaw@gmail.com. Entry form here.

The third edition of SalaMindanaw International Film Festival will take place from November 18 to December 2, 2015.







Please check SalaMindanaw Facebook page and salamindanaw.org for more info. 

Saturday, April 18, 2015

MSU EdTech Film festival: As one of the strategies for learning

Prof. Precy Regalado and her students during the 3rd MSU EdTech Film Festival

photo by Farrah Princess Restuaro


   Film is not only use as a medium for artistic expression and social action. The educators also use it as a medium for instruction. The College of Education in Mindanao State University-GenSan has this subject called Educational Technology (1 & 2). The class of Prof. Precy Regalado and Prof. Diane Mae Ulanday has this unique approach in dealing this subject. They use film as one of the learning tools for their students. 

   Three years ago, Prof. Regalado conceptualized the MSU EdTech film festival to showcase the creative outputs of her students. In its third year, the festival has its theme called “A tapestry of SOCSKSARGEN’s culture and beliefs”. Its objectives are to develop the talents and skills of students in filmmaking; and to promote the cultural values and beliefs of tri students in MSU. “The film activities that we have conducted will make my students globally competitive educators in the future,” Prof. Regalado says. The festival was held last March 15, 2015 at SM GenSan Trade Hall 2. As expected, it was successful and produced promising filmmakers in Region XII. 


   “This course focuses on the development of earning packages by utilizing the latest information and communications technologies in their design, production, and use in the instruction setting. It will expose the students to the multimedia applications in teaching and to alternative systems by making use of the MOLE, Computer-Based Instruction, online learning activities, Treasure Hunts and Web Quests, and the Intel Teach to the future pre-service curriculum as avenues for both teaching and learning.” 


   The festival has two categories – the short film category and short documentary. Nasser, a story of a lad who is torn between his education and familial obligation, won the coveted Best Film in short film category. While Abyan (Companion) won the Best Short Documentary not only in EdTech Film Festival but also in the 14th Kabantugan Awards. Chiriath Jearim Fernandez, the Director of Nasser and Farrah Princess Restauro, the Director of Abyan, are not timid to share their experiences in filming their first short films.


Chiriath, the Director of Nasser, shares his experience in filmmaking.

   The stories of both films were conceptualized during their brainstorming session with their group mates. “In our meeting we share stories. At first we have a story and presented it to Maam Diane, our consultant and Adviser, but she rejected it because it was a common one,” says Chiriath. “We meet again and think of a better story. Until one of my classmates shared about the story of his brother who had experience training in MILF camp. Maam Diane likes it and we pursue the story.” 

   “We have also brainstorming session with my group,” says Farrah. “We have a series of meeting to come up with the best story for our documentary. Until one of our classmates shared about his brother-in-law. We presented it to Maam Precy and she approved it.” 

   Just like other groups in their class, they have also contributed some amount to materialize the project. They have also asked for solicitations and sponsors to cover expenses. In the case of Chiriath, Barangay Pananag in Maasim Sarangani Province supported their project. Since most of their scenes were shot there, the barangay and its people extends their help to their group and provided logistical support. On the other hand, Farrah’s team has also received support from the people that they have collaborated. Through their participation and guidance they are able to make their documentary. 

   Nasser’s theme becomes apt in today’s peace process condition. The Mamasapano incident became their motivation to pursue their film project. “In our film, we want to share that war is not the solution to attain peace. As what Nasser, the protagonist of the film says – ‘War is not the solution to achieve peace, it’s better to be educated,’” Chiriath points out. 

   “One of our unforgettable experiences while filming Nasser was when the actor mistakenly identified as an army because he’s wearing a camouflage. We were really nervous that time because we are in the territory of the MILF. But we are thankful that the brother of my classmate was there to explain our purpose in the area,” Chiriath recounts.


Farrah, the Director of Abyan, entrusted her faith in God to finish his first short film.

   In the case of Abyan, faith is their reason why they make their documentary. “The cultural belief in superstition is embedded deeply into our culture that it’s difficult to unravel,” says Farrah. “Before we conduct our interview, we start with a prayer.” During the shoot, they felt the presence of the Abyan. For example, their DLSR camera would shut down for no particular reason. There’s one instance that their camera would easily overheat. Faith in God serves as their protection in making their project. “It needs faith to believe,” Farrah declares. 

   In shooting their first film, they have learned lessons that they would never forget. “We learn to be patient, to have perseverance, to give trust to each other and most especially to have faith in God. We never surrender despite the challenges we have encountered,” recounts Farrah. 

   “Through making our short film, we learned to listen to the ideas of our group mates. We learned that unity is the best option we have to make if we want to succeed in this project,” says Chiriath. 

   Their efforts were paid off when they won the top awards. Both of them did not expect the decision of the juries of the film festival. 

   “I’m not expecting that we’re going to win,” says Chiriath. “It’s an unexpected moment.” 

   “We did not expect that we would get the Best short documentary award,” says Farrah. “We are thankful that most of the audience during the event are happy and said that our film is unique.” 

   I admire their courage in pursuing their stories for their films. In the case of Nasser, their short film is one of the proactive ways in advocating peace in Mindanao. In the case of Abyan, I salute them for being brave in pursuing the story despite the supernatural incidents they have encountered. 

   “In spite of harsh criticisms you get, stand what you believe is right,” says Chiriath. “Share stories that have impact to the lives of the viewers.” 

   “We should give our best,” Farrah says. “We should never surrender in the challenges we encounter. We should have faith in Him.”



PRODUCTION TEAM of Nasser 


DIRECTOR: Chiriath Jearim Fernandez
ASST.DIRECTOR: Sheraina Usop
SCRIPTWRITERS: Chiriath Jearim Fernandez, Sheraina Usop, Avalyla Pagadatan and Armel Ian Fernandez
TRANSLATORS: Sheraina Usop, Rowaiza taman and Abdurrahem Maton
LOCATION MANAGER: Sittie Joraina Ramirez
CAMERA MAN: Josephine Tejada
Technical Asst.Jana Zaragoza
EDITOR: Josephine Tejada
Creative consultant: Prof.Diane Mae Ulanday
DIRECTOR: Chiriath Jearim Fernandez
ASST.DIRECTOR: Sheraina Usop
SCRIPTWRITERS: Chiriath Jearim Fernandez, Sheraina Usop, Avalyla Pagadatan and Armel Ian Fernandez
TRANSLATORS: Sheraina Usop, Rowaiza taman and Abdurrahem Maton
LOCATION MANAGER: Sittie Joraina Ramirez
CAMERA MAN: Josephine Tejada
Technical Asst.Jana Zaragoza
EDITOR: Josephine Tejada
Creative consultant: Prof. Diane Mae Ulanday




Production Staff


Name
Position
Marjorie Barrientos
Leader/ Technical Director
Farrah Princess Restauro
Director
Joderic Lebrita
Assistant-Director
Reena Mae Lustan
Director of Photography
Earl Precious Gem Neri
Asst. Director of Photography
Fetche Mae Benlot
Production Manager\ Asst. Art Director
Ria Bayato
Art Director
Queenie Aringa
Assistant Art Director
Shiny Osorio
Location Director
Shirly Joy Kiyugan
Assistant Location Director/ Secretary
Justine Deramon
Make-up Artist
Excel Grace Gamolo
Make-up Artist/ Food Committee
Jade Duran
Make-up Artist
Ariane Tambukong
Make-up Artist
Almira Yusop
Wardrobe/ Food Committee
Prexy Humang-it
Wardrobe
Kimverly Pabicon
Wardrobe/ Treasurer
Julie Ann Babao
Food Committee
Mary Barbie Ronulo
Food Committee
Belinda Domingo
Script Writer
Esther Pujol
Food Committee



originally posted in Yadu Karu's Blog 

Saturday, March 7, 2015

Bryan Wong’s ‘Hulugway sa Mamumuno’ and his image of creativity


   When I first heard the name of Bryan Wong, I thought he was a six generation Hong Kong/Taiwanese Film Director. When I got the chance to meet him in person, I am amazed on how this guy manages to shoot his first film using only one camera. If you watch his Hulugway sa Mamumuno (Portrait of the murderer), you will get amaze of its technical aspects knowing that he has no background in filmmaking. Along with our conversation, he shares many great stories that can contribute to the peace development here in Mindanao.

   Bryan Glenn Wong or simply Bryan is a multi-talented artist that has lots to offer. Aside from being a filmmaker, he is songwriter, composer and a singer who likes to share his talents for the glory of God. His first project was the Magandang Umaga SOCSKSARGEN jingle of ABS-CBN GenSan as recommended by his friend, Joey C. He also composed the official theme song of Glan entitled Lungsod sa Glan. He is also a member of Filipino Composers Development Cooperative (FILCOMDEC) and participated in the KBP’s Pop Music Festival

   Since the municipality of Glan loves his works, he was commissioned to make the centennial song of the municipality. He wrote and directed the music, lyrics as well the music video of the 100 years centennial song of Glan. “I am thankful that the people loved it. They express their appreciation thru sharing the music video in different social networking sites,” Bryan says. 

   Bryan has no formal training in making music video or film. He makes time to do his research and watch tutorial videos in Youtube. “When I made the two music videos, it has only minimal (or without) cost and a DSLR camera. The help and support of my friends also contributes to the success of the two music videos. I made those music videos for the love of Glan.”

   He describes himself as “one man army”. He is the Director, Writer, Cinematographer, Editor and Musical Scorer/Composer, Singer and Actor of his works. Most of his promotional projects in Glan have no compensation. He helps promotes the municipality without asking for any monetary return. 

   During the ‘Gabi ng Parangal’ event of the municipality’s centennial anniversary last year, Bordee Carillo, the festival director of Lantawan SOCSKSARGEN Film Festival (LSFF), saw his works playing in the projected screen. Bordee loved it, and he encouraged Bryan to join the film festival. “At first I was hesitant to join because I do not have the knowledge as well as the experience to shoot a film,” as he recounts. “But later on I realize that I should give it a try. It was a blessing in disguise.” 

The car scene from 'Hulugway sa Mamumuno'
Photo by Bryan Wong 

   The concept of his film was derived while he's driving. “When I was driving to Glan, I was thinking that what if you hitch someone that has crooked mind. Before you realize it, it’s too late for you to escape. It’s a hitchhiking gone wrong,” says Bryan. 

   Bryan also encountered challenges in making his first film. “We encountered many challenges before and during the shooting of my first film. Just what I said, I do not have idea or training in filmmaking. Some people said that it is difficult for me to shoot a film if I do not have a camera. But I did not mind them and continue to shoot my first film. When I won in LSFF, they were shock because I successfully surpassed all the challenges in filmmaking and I got the major awards,” Bryan says. 

   Through his genuine passion, unique vision as well as faith in God, he proves that he can make a good film. “I am really blessed by our Almighty God,” says Bryan. “I felt like it was an easy task to do.” 

   Bryan did not expect the reaction of the audience during its premiere in LSFF. “I am thankful that many viewers appreciated my film. I did not expect that they loved it. Some of the filmmakers got amazed because I only used one camera in the film. They thought I have many cameras since I shot the car scene in multiple angles.” 

   Because of this, he receives lots of praises from the audience. “I am not used to praises. I am just a neophyte. I just gave my best.” Moreover, he feels honored that the juries of the said event recognized his efforts. “I feel fulfilled when LSFF recognized my efforts. I am glad that they appreciate my work. For me the awards that I got from the film festival were just a bonus. The important thing is that, I share my talent in a positive manner and make the people entertained.” 

   He also dedicated his Best Director award to his fellow filmmakers in the event. “I did not consider my fellow filmmakers in LSFF as competitors. I treat them as my brothers and sisters,” Bryan stresses. “Let’s create films for the benefits of our society.” 

   Before these recognitions came, he experienced the life that has no clear direction. He was drunkard and always party a lot. He does not take full responsibilities of his action and has no communication to God. “All of these events in my life change when I get diagnosed with Ulcer. It’s a turning point of my life. I realized many things and I reconnect to God.” 

   Bryan is a good man now with a clear purpose in life. He is active in his church and created a band to sing the words of God. Most of his works benefits the people he helped. “I usually create songs, music videos and films that are sensible and can enrich the lives of the people,” Bryan says. 

   Bryan is a fighter and a risk taker. He is not afraid to gamble in life’s opportunities. “The more difficult the task or project, the more I get challenge. There is always something that we can do.”

   In the near future, he would like to make more films that are entertaining and at the same time have lessons embedded in it. His second short film will be an action thriller based on real events. 

   “It’s not a hindrance if you do not have resources or equipment. As long as you have the passion, the vision and a positive mindset, you will be successful in making films,” as he advice.

His first short film garnered the Best Director, Best Editing, Best Sound and Best Production Design
in the 1st Lantawan SOCSKSARGEN Film Festival held last year in GenSan.


Originally posted in Yadu Karu's Blog 

Tuesday, January 20, 2015

GenSan holds the first LSFF



   The SOCSKSARGEN Center for Film Arts, Inc. (SCFA) in partnership with the National Commission for the Culture and the Arts (NCCA) and Open Space Cinema Foundation conducted the first Lantawan SOCSKSARGEN Film Festival (LSFF), last January 16-19, 2015 at the Oval Plaza General Santos City. 

   LSFF showcases different films from Region XII and other parts of Mindanao. SCFA Chairman of the Board and LSFF Director Dennis “Bordie” Carillo says, “LSFF aims at providing the opportunity for local talents to showcase their innovations, creativity, originality, but not implying an expensive production of their masterpiece, yet, demonstrating the rich ingenuity and quality use of the medium of digital filmmaking.” Further, he declares the two categories in competition: the Sine SOCSKSARGEN and the Sine Mindanaw. 

   Sine SOCSKSARGEN qualifies the filmmakers within Region 12 – the provinces of South Cotabato, Sultan Kudarat, Sarangani, and General Santos City. The entries should contain themes or topics which have relevance to Region 12 culture - the place and its people. On the other hand, the Sine Mindanaw opens the competition to filmmakers anywhere in Mindanao, except in Region 12. An added feature of the festival is the Cinema Rehiyon Reloaded, a collection of selected films from the film festivals in various regions of Luzon, Visayas and Mindanao. These films are gathered and shown for exhibition during the festival, but they are excluded from the competitions. 

   Lafis ni Efung by Jordan Manua gets the Best Film and Best Cinematography award. As the festival juries cited, "The film is awarded for its deceptively uncluttered plot in its portrayal of a young protagonist in a journey, both physical and psychological, that slowly unravels layers of meanings in a humane and simple way." 

   Bryan Wong is awarded as Best Director for his film Halugway sa Mamumuno. His film also garners Best Editing, Best Production Design and Best Sound. Angelo, Ang Batang Ama by Andriel Evidente gets the Best Screenplay. The Best Actor is awarded to Kris Evidente (Angelo, Ang Batang Ama) and Daryl John Rey Batilo (Puting Panyo) while the Best Actress is given to Christine Lapidez (Kaugmaun) and Astrid Hernandez (Mga Patay na Bitoon). Ang Pagpukaw Sa Akong Damgo by Arnel Barbarona is declared as Best Film in Sine Mindanaw category. As cited, "The film is chosen For soaring into poetic flights about love, loss and redemption, using real geographies, as well as cutting edge mobile phone technology." 

   “Through the holding of film festivals, the viewers will become aware that ours is one culture to be proud of, and we take pride of being Filipino, “Carillo adds. The LSFF belongs to one of the ten accredited regional film festivals in the country that officially receive support from the National Commission for Culture and the Arts (NCCA) every year.






Originally posted in Yadu Karu's Blog

Tuesday, December 2, 2014

Winners of SalaMindanaw IFF bared

A scene from End of War by Joe Bacus 


General Santos City, PH - A film about IDPs (internally displaced peoples) won the Golden Durian Prize for best Mindanao short film at the recently concluded second Salamindanaw International Film Festival.

The End of War, directed by Cagayan de Oro filmmaker Joe Bacus, is a story of a family in Maguindanao province caught in the crossfire of a war between Philippine military and Moro rebel forces in 2008.

The jury, composed of film writer Jay Rosas and producer Liryc dela Cruz, cited the film for it “exhibits a clear vision that is matched by the courage and skill of its director. There is power to its silences and chaos, giving us an immersive and compelling experience. Despite its familiar subject matter, it doesn't descend into a mere attempt at relevance. Rather, it reminds us of the fragility of our lives and the difficulty of our quest toward a lasting peace.”

Abakada ni Nanay (Nanay's Aphabet), a documentary about a 78-year-old grandmother who returns to elementary school by Ipil, Zamboanga Sibugay native Joni Sarina Mejico, won the jury prize.

Meanwhile, a Singapore, Taiwan and France co-production bagged the Golden Durian Prize for best Asian short film. Jow Zhi Wei’s After The Winter bested ten other films “for its deliberate, subtle, and clearly cinematic exploration of stark and sublime generational and geographical gaps that separate families in modern Taiwan, which is also representative of a prevalent conflict that is evident in fastly Westernizing and modernizing Asian territories.”

Filipino film critic Francis Cruz, filmmaker John Torres and South Korean film programmer Ji-hoon Jo composed the Asian short film jury.

A special mention was awarded to the Indonesian film Sepatu Baru (On Stopping The Rain) by Aditya Ahmad. The jury lauded the film “that charmed us with its voice and humor that is so flavorfully rooted in its community. For combining a more alive Southeast Asian storytelling with enough energy so as not to feel too deliberate and safe. For blending poetry in motion with just the right hint of its politics that rings loudly where it is set.” Ahmad's film won a Special Mention earlier this year at Berlinale. 

Carl Joseph Papa became the first recipient of PH Next Cinema Filmmaker of the Future Prize for his brave and inventive approach to cinematic storytelling in his film Ang 'Di Paglimot Sa Mga Alaala (The Unforgetting).




A press release from SIFF 

Wednesday, November 26, 2014

8 Things About Salamindanaw



The second edition of SalaMindanaw International Film Festival starts tomorrow, November 27. Here are eight things you need to know about the Festival.



1. The redesigned Festival logo features the durian –an enduring cultural symbol in Southeast Asia— with eleven protruding spikes representing the countries of the region. SalaMindanaw envisions to be an important platform in the development of regional cinema in Southeast Asia.


2. For its sophomore edition, the Festival theme shall be ‘Deconstructing Cinematic Space.’ As it continues to celebrate the development of regional cinemas across Southeast Asia, the Festival attempts to veer away from the traditional space of film screening, that is the movie house, and explore alternative and non-traditional screening venues like buses, parks, markets, and barangay centers to bring films closer to the people. The Festival’s main screening venue is in a university because SalaMindanaw recognizes the educational and cultural value of cinema. 


3. The Festival will launch a film magazine, The New Durian Cinema, which is devoted to the discussion of regional cinema in Southeast Asia. It is not enough that we show films, cinema must also become part of a critical consciousness. The magazine hopes to help in the formation of such consciousness.


4. The Festival boasts of the quality and integrity of its film programming. This year, more than 30 films of various lengths, genres and genres will be presented in the Festival. Films will vie for the Golden Durian Award in the Asian shorts and Mindanao shorts category. A Festival prize shall be bestowed to the breakthrough film in the new Philippine Next Cinema section. 


During its inaugural run, the Singaporean film Sayang Disayang (dir. Sanif Olek) had its world premiere in the Festival. It won the jury prize in the Festival. The film is Singapore’s official entry to the Oscars in 2015. Other notable films in the Festival last year include By The River (dir. Nontawat Numbenchapol) which won a special mention at Locarno, Liberta (dir. Kan Lumé) which bagged a special mention in CINDI (Seoul) while War is a Tender Thing (dir. Adjani Arumpac) took home a special mention from Yamagata.


5. Relying on its vision and integrity, the second edition of SalaMindanaw is crowdfunded which means that much of its funding is in the form of donations from its supporters all over the world. 


6. The Festival is a cultural investment for the development of the people of Gensan and the region. The aim is expose more people to diverse cinema as well as educate and provide them the opportunity to better understand the world they inhabit. For this reason, all screenings and parallel activities are free to the public.


7. It is helmed by one of the most important filmmakers in Southeast Asia – Teng Mangansakan. The Festival’s respectability and integrity partly come from who is running it. The vision of the Festival is built upon clear goals and objectives borne out of the Festival Director's instinct, experience and foresight, and the trust and confidence of the Festival Team.


8. The Festival is advised by some of the most distinguished personalities and brilliant minds in world cinema such as Philip Cheah, vice president of NETPAC (Network for the Promotion of Asian Cinema) and past consultant of the Dubai International Film Festival and Directors Fortnight at Cannes; Paolo Bertolin, Venice International Film Festival delegate for Southeast Asia and consultant of the Doha Film Institute; and Sherad Anthony Sanchez, creative consultant of Cinema One Originals.





This blog post is originally posted in Morofilm by Teng Mangansakan 

Pepe Diokno visits GenSan




   The GenSan Tourism Council in partnership with the Local Government of General Santos and the Department of Education (DepEd) conducted a filmmaking lesson last November 25, 2014 to the aspiring filmmakers in the city. The tourism council invited Pepe Diokno, an award winning film Director, to share his knowledge and experience in making films. 

   The said activity is part of Visit GenSan, Learn in GenSan campaign of the Tourism Council. It is a Mayor’s Lecture series that aims to enhance the knowledge and skills of the ‘Generals’. “The series of lessons that we have conducted is part of ‘Learn in GenSan’ activities,” said Phillip Pabelic, the Vice President of GenSan Tourism Council. “GenSan aims to be the learning hub of Region XII.”

   “This lesson helps cultivate the talents and skills of the ‘Generals’,” Mayor Ronnel Rivera said. “It helps to discover new talents or artists from GenSan. This will able to produce great filmmakers in GenSan.”

   Most of the participants of the said activity are students who want to learn more about filmmaking. 

   During the lesson, Pepe Diokno shared about his latest film ‘Above the clouds’ to the young aspiring filmmakers of GenSan. He also talked about his first film ‘Engkwentro'and his experience in Venice Film Festival. “It’s not about the budget or the equipment,” said Diokno. “It’s the story that matters.”

   Most of the Filipino audiences today have this notion that Filipino movies are “baduy” or “not good” in their taste, that’s why they are not watching and patronizing it. “Is Philippine Cinema dead?” as he asked the participants. The film industry is struggling due to lack of support of the Filipino audience. 

   In the past years, there’s a significant decline of Filipino films being produced in the country. As Diokno explained, its primary reason is more on the economic side of making films. “Before, our government charged 30% amusement tax for movies plus 12% VAT, so the remaining 58% will be divided between the Producer and the Theater owner(s). Fortunately, in 2009, our government lowered it into 10%. In the following years, it slowly gained the confidence of the Filipino Producers and Filmmakers to make films.”

   Pepe Diokno compared the film industry of South Korea to the Philippines. “South Korea invests on their film industry. Their government created Korean Film Council because they know that film is an important cultural and economic resource of their country,” Diokno explained. “They use films to sell their country.” 

   He also emphasized the bad effects of patronizing foreign films. “If you watch too much foreign films, it's slowly changing our sense of identity.” He pointed out that if we watch too much foreign films, we tend to forget who we are as Filipinos. For example, we desire to be white because that’s standard of beauty based on what we see in the movies (or in the media in general). 

   He also talked about the Golden Age of Philippine Cinema. He also shared that the Philippine film industry is considered one of the oldest in the world. “Films are not only for entertainment. It’s a record of our history. It’s a record on who we are,” Diokno asserted. 

   “Please watch Filipino films. Please make Filipino films. Please tell Filipino stories,” as he pleaded. It is important to support our own filmmakers because they are the cultural worker of our country. 

   “Read, Travel and Get Hurt,” as he advised. “The best way to learn how to make film is to make a film.” 

Tuesday, November 25, 2014

The Official Trailer of SalaMindanaw International Film Festival 2014





Thursday, November 20, 2014

SalaMindanaw IFF to commemorate Maguindanao Massacre



   General Santos City, PH –The second edition of SalaMindanaw International Film Festival shall present a special section called Cinema and Remembrance to commemorate the fifth anniversary of the Maguindanao Massacre.

   The films to be presented in this section are Lav Diaz's 'Mula Sa Kung Ano Ang Noon' (From What is Before), set in a village during the time leading up to the declaration of Martial Law by President Marcos, Rob Jara's 'Maliw' (Soliloquies) about three stories that feature love, idealism, and the politics of memories and melancholia, and how fragments of these are lost and found, Zig Dulay's 'Missing' which recounts the story of Makuy who is one of the increasing numbers of victims of enforced disappearances (desaparecidos) in the country and Herwin Cabasal's 'Pieta' about the lament and struggle of a mother whose son is one of the disappeared.

   The films will be shown on November 28 at 9 in the morning at the Mindanao State University – Graduate School AVR. A forum follows the screening to discuss the role of art and media in the ongoing conversations on the issues of impunity, authoritarianism and democratic rights and principles.

   “We need to confront and reflect on the democratic rights that we are enjoying right now. Rights that are constantly endangered from the ambition of powers that be. Rights that we enjoy because people have sacrificed their lives so that we may have them,” festival director Teng Mangansakan noted. SalaMindanaw is anchored on a vision that includes engaging the public in both popular and critical discourse on art, media and cinema and their transformative power to shape ideas about society.

   On the morning of November 23, 2009, in the town of Ampatuan in Maguindanao province, a convoy was on its way to file a certificate of candidacy for Esmael Mangudadatu, vice mayor of Buluan town, when they were stopped at a checkpoint, kidnapped and brutally killed. Mangudadatu was challenging Datu Unsay mayor Andal Ampatuan, Jr., son of the incumbent Maguindanao governor Andal Ampatuan, Sr. and member of one of Mindanao's leading Muslim political clans, in the 2010 gubernatorial election. The people killed included Mangudadatu's wife, his two sisters, journalists, lawyers, aides, and motorists who were witnesses or were mistakenly identified as part of the convoy.

   The Committee to Protect Journalists (CPJ) has called the Maguindanao massacre the single deadliest event for journalists in history. At least 34 journalists are known to have died in the massacre.

   One of the chilling effects of the Massacre was the signing of Proclamation No. 1959 on December 4, 2009, by President Gloria Macapagal Arroyo which officially placed Maguindanao province under a state of Martial Law, thereby suspending the privilege of the writ of habeas corpus and other rights.

   “We are in a generation that has a very flimsy idea about Martial Law, its atrocities, its effects on people. This should be be part of a continuing discussion that even young people need to be part of,” Mangansakan said.

   SalaMindanaw International Film Festival shall take place from November 26 to 29 in General Santos City.






Contact
Teng Mangansakan 
Festival Director
SalaMindanaw IFF
0917 7620396