Saturday, December 20, 2014

Inspiration goes astray



   December – a month that seems lack of drive to do my various activities. I do not know why I am not motivated to do the things I usually do. Am I am too exhausted in this year’s demand?

   The year 2014 offers lots of opportunities that are too overwhelming to refuse. From being a delegate of the 6th Cinema Rehiyon held in Cagayan de Oro City to being an Executive Director in a consulting firm. With these opportunities I am able to learn new experiences and meet new people. 

   In this month, I cannot think of a good concept for a project. My brain is not functioning well. It cannot formulate a viable idea. It seems that I am tired and only wanted to lie down in my bed. The only thing that I want to do is to read and watch movies or observe people passing in front of me. 

   I pause for a while. I do not have income for this month. I have bills to pay. But I do not care. I think I just wanted to rest for a while and gather inspiration. I write this blog to express my condition. To express how desperate I am to be inspired again. I am not complaining about this year. In fact, I am thankful of it. It’s just that I am become stagnant this month. I feel lethargic to move. 

   To avoid the bitterness, I look into the bright side of this condition. I use this case to reflect and analyze the year 2014. As I review the year, I get amaze because I did things that I really wanted to do. For example I made my second short film, two music videos and interview influential personalities in SOCSKSARGEN. I feel blessed, honored and lucky that I did all of those things. 

   How am I going to solve this predicament? Well, I guess I just have to go with flow and discover the answer along the way of this endless journey. I think it’s just the part of what they called the artists process. Maybe it’s just a typical case for a human being. Nevertheless, I just need a break.




Tuesday, December 2, 2014

Winners of SalaMindanaw IFF bared

A scene from End of War by Joe Bacus 


General Santos City, PH - A film about IDPs (internally displaced peoples) won the Golden Durian Prize for best Mindanao short film at the recently concluded second Salamindanaw International Film Festival.

The End of War, directed by Cagayan de Oro filmmaker Joe Bacus, is a story of a family in Maguindanao province caught in the crossfire of a war between Philippine military and Moro rebel forces in 2008.

The jury, composed of film writer Jay Rosas and producer Liryc dela Cruz, cited the film for it “exhibits a clear vision that is matched by the courage and skill of its director. There is power to its silences and chaos, giving us an immersive and compelling experience. Despite its familiar subject matter, it doesn't descend into a mere attempt at relevance. Rather, it reminds us of the fragility of our lives and the difficulty of our quest toward a lasting peace.”

Abakada ni Nanay (Nanay's Aphabet), a documentary about a 78-year-old grandmother who returns to elementary school by Ipil, Zamboanga Sibugay native Joni Sarina Mejico, won the jury prize.

Meanwhile, a Singapore, Taiwan and France co-production bagged the Golden Durian Prize for best Asian short film. Jow Zhi Wei’s After The Winter bested ten other films “for its deliberate, subtle, and clearly cinematic exploration of stark and sublime generational and geographical gaps that separate families in modern Taiwan, which is also representative of a prevalent conflict that is evident in fastly Westernizing and modernizing Asian territories.”

Filipino film critic Francis Cruz, filmmaker John Torres and South Korean film programmer Ji-hoon Jo composed the Asian short film jury.

A special mention was awarded to the Indonesian film Sepatu Baru (On Stopping The Rain) by Aditya Ahmad. The jury lauded the film “that charmed us with its voice and humor that is so flavorfully rooted in its community. For combining a more alive Southeast Asian storytelling with enough energy so as not to feel too deliberate and safe. For blending poetry in motion with just the right hint of its politics that rings loudly where it is set.” Ahmad's film won a Special Mention earlier this year at Berlinale. 

Carl Joseph Papa became the first recipient of PH Next Cinema Filmmaker of the Future Prize for his brave and inventive approach to cinematic storytelling in his film Ang 'Di Paglimot Sa Mga Alaala (The Unforgetting).




A press release from SIFF 

Monday, December 1, 2014

Caera and the story behind her photography



   Caera Grace Lastimosa Agduma or simply Caera is a survivor in her own right. In her 24 years of existence she managed to overcome her dark past and became a messenger of the words of God. She is one of the rising photographers in SOCCSKSARGEN. She is improving and evolving as a photographer and nothing can stop her in expressing her ideas in a positive way. 

   Caera recounts the days when she lost herself. As I describe her, she is a good girl gone badly because of what she experienced in her family. “I rebelled to my parents before,” Caera said. “I neglected my studies, I smoked marijuana, I partied a lot and did many other things that a rebel youngster would do.”

   When I heard all of these, I was a bit surprised because I can’t imagine how she was able to overcome all of it. “That time, Harry Potter and witchcraft were my form of escapism,” as she remembered. “Before, I cannot face the reality so I secluded myself and went into my world.” 

   It’s a spiral of negativity that’s hard to untangle. But thru God’s help, she excluded them out. “All of the said negativities in my life were all gone when I reconnected with God,” she pointed out. "It was a life changing opportunity when I joined the Youth with a Mission (YWAM) last year in Antipolo City."

   “YWAM is a miraculous experience. I thought I could not make it because I did not have money for my (daily) expenses. God helped me through channeling it to my friends and acquaintances.” 

   One of the things that she cannot forget in her YWAM experience was the Mangyan child named Alvin. Alvin inspired her in so many ways. “His innocence really amazed me. When we were in their community, he asked so many questions, he was curious of so many things and he’s fun to be with. His innocence made me realized so many things not just for myself but also for other people.” Through that experience she learned how to face the reality and her creativity started to evolve which eventually lead her to photography. 

   She started in photography using only her camera phone. She fondly took photos and posted it online. Luckily, it gained popularity and became an inspiration. Until one day, her mom got a Canon 600D camera because of work related tasks. She took the opportunity to use it and learn the art of photography. Her first mentor was her boyfriend, Edward James Sinforoso who taught her the basics of photography and the rest were history. 

   What’s remarkable about Caera as photographer is that she is more into actual practice than theory. She knows the basic in photography but she’s not really dwelling into its theory. “It hinder creativity,” as she said. Kitty Gallannaugh, Fade Longboy, Edward (her bf) and his father are her inspirations. 

   Caera’s photography is more into Bohemian/Gypsy style with a touch of vintage and a little twist of eccentricity. “I see things in a different way. In little things I can create a story.”

   She only started photography last February but continuously gaining a lot of followers. Her Facebook page now has thousands of likes (and still counting). Caera was also the brainchild of the first “shoot out” in Koronadal City which gathered many participants. Because of its popularity, some photographers replicated this idea. 

   At first, Caera only borrowed camera from her friends until she was able to buy her own. It was when she saw a post (online) by one of her friends who sells his camera (Nikon D700). Out of frustration, she made a shout out (on Facebook) pertaining to it which was noticed by one of her clients who helped her acquire the camera. “God is really great,” she said. “I prayed to Him and asked for it, and He gave it.”

   Her works is based on creations of God. She uses photography to share the words of God. “I live by faith and I express it through photography”. Furthermore, most of her works have the touch of nature with lovely colors.


   “Photography is part of my life. If you’re observant, it reflects my life, my mood and my state of mind.”

   There was a time Caera experienced being bullied because of her photography, but she made that experiences as her motivation to improve her works. Instead of dwelling into it she focused on its positive side. “Through this experience, I discovered who really my friends are. I also learned to forgive,”she said.

   “I really admire individuals who only competes with himself/herself and not with others,” she said. Caera admires those who only do their best and not joining the rat race. 

   “Don’t mind the camera,” as she said.“Try to find your (inner) creativity. Your eyes serves as your lens to the beauty of the world. Share your vision and be an inspiration.”



originally posted in southcotabatonews.com 

Wednesday, November 26, 2014

8 Things About Salamindanaw



The second edition of SalaMindanaw International Film Festival starts tomorrow, November 27. Here are eight things you need to know about the Festival.



1. The redesigned Festival logo features the durian –an enduring cultural symbol in Southeast Asia— with eleven protruding spikes representing the countries of the region. SalaMindanaw envisions to be an important platform in the development of regional cinema in Southeast Asia.


2. For its sophomore edition, the Festival theme shall be ‘Deconstructing Cinematic Space.’ As it continues to celebrate the development of regional cinemas across Southeast Asia, the Festival attempts to veer away from the traditional space of film screening, that is the movie house, and explore alternative and non-traditional screening venues like buses, parks, markets, and barangay centers to bring films closer to the people. The Festival’s main screening venue is in a university because SalaMindanaw recognizes the educational and cultural value of cinema. 


3. The Festival will launch a film magazine, The New Durian Cinema, which is devoted to the discussion of regional cinema in Southeast Asia. It is not enough that we show films, cinema must also become part of a critical consciousness. The magazine hopes to help in the formation of such consciousness.


4. The Festival boasts of the quality and integrity of its film programming. This year, more than 30 films of various lengths, genres and genres will be presented in the Festival. Films will vie for the Golden Durian Award in the Asian shorts and Mindanao shorts category. A Festival prize shall be bestowed to the breakthrough film in the new Philippine Next Cinema section. 


During its inaugural run, the Singaporean film Sayang Disayang (dir. Sanif Olek) had its world premiere in the Festival. It won the jury prize in the Festival. The film is Singapore’s official entry to the Oscars in 2015. Other notable films in the Festival last year include By The River (dir. Nontawat Numbenchapol) which won a special mention at Locarno, Liberta (dir. Kan Lumé) which bagged a special mention in CINDI (Seoul) while War is a Tender Thing (dir. Adjani Arumpac) took home a special mention from Yamagata.


5. Relying on its vision and integrity, the second edition of SalaMindanaw is crowdfunded which means that much of its funding is in the form of donations from its supporters all over the world. 


6. The Festival is a cultural investment for the development of the people of Gensan and the region. The aim is expose more people to diverse cinema as well as educate and provide them the opportunity to better understand the world they inhabit. For this reason, all screenings and parallel activities are free to the public.


7. It is helmed by one of the most important filmmakers in Southeast Asia – Teng Mangansakan. The Festival’s respectability and integrity partly come from who is running it. The vision of the Festival is built upon clear goals and objectives borne out of the Festival Director's instinct, experience and foresight, and the trust and confidence of the Festival Team.


8. The Festival is advised by some of the most distinguished personalities and brilliant minds in world cinema such as Philip Cheah, vice president of NETPAC (Network for the Promotion of Asian Cinema) and past consultant of the Dubai International Film Festival and Directors Fortnight at Cannes; Paolo Bertolin, Venice International Film Festival delegate for Southeast Asia and consultant of the Doha Film Institute; and Sherad Anthony Sanchez, creative consultant of Cinema One Originals.





This blog post is originally posted in Morofilm by Teng Mangansakan 

Pepe Diokno visits GenSan




   The GenSan Tourism Council in partnership with the Local Government of General Santos and the Department of Education (DepEd) conducted a filmmaking lesson last November 25, 2014 to the aspiring filmmakers in the city. The tourism council invited Pepe Diokno, an award winning film Director, to share his knowledge and experience in making films. 

   The said activity is part of Visit GenSan, Learn in GenSan campaign of the Tourism Council. It is a Mayor’s Lecture series that aims to enhance the knowledge and skills of the ‘Generals’. “The series of lessons that we have conducted is part of ‘Learn in GenSan’ activities,” said Phillip Pabelic, the Vice President of GenSan Tourism Council. “GenSan aims to be the learning hub of Region XII.”

   “This lesson helps cultivate the talents and skills of the ‘Generals’,” Mayor Ronnel Rivera said. “It helps to discover new talents or artists from GenSan. This will able to produce great filmmakers in GenSan.”

   Most of the participants of the said activity are students who want to learn more about filmmaking. 

   During the lesson, Pepe Diokno shared about his latest film ‘Above the clouds’ to the young aspiring filmmakers of GenSan. He also talked about his first film ‘Engkwentro'and his experience in Venice Film Festival. “It’s not about the budget or the equipment,” said Diokno. “It’s the story that matters.”

   Most of the Filipino audiences today have this notion that Filipino movies are “baduy” or “not good” in their taste, that’s why they are not watching and patronizing it. “Is Philippine Cinema dead?” as he asked the participants. The film industry is struggling due to lack of support of the Filipino audience. 

   In the past years, there’s a significant decline of Filipino films being produced in the country. As Diokno explained, its primary reason is more on the economic side of making films. “Before, our government charged 30% amusement tax for movies plus 12% VAT, so the remaining 58% will be divided between the Producer and the Theater owner(s). Fortunately, in 2009, our government lowered it into 10%. In the following years, it slowly gained the confidence of the Filipino Producers and Filmmakers to make films.”

   Pepe Diokno compared the film industry of South Korea to the Philippines. “South Korea invests on their film industry. Their government created Korean Film Council because they know that film is an important cultural and economic resource of their country,” Diokno explained. “They use films to sell their country.” 

   He also emphasized the bad effects of patronizing foreign films. “If you watch too much foreign films, it's slowly changing our sense of identity.” He pointed out that if we watch too much foreign films, we tend to forget who we are as Filipinos. For example, we desire to be white because that’s standard of beauty based on what we see in the movies (or in the media in general). 

   He also talked about the Golden Age of Philippine Cinema. He also shared that the Philippine film industry is considered one of the oldest in the world. “Films are not only for entertainment. It’s a record of our history. It’s a record on who we are,” Diokno asserted. 

   “Please watch Filipino films. Please make Filipino films. Please tell Filipino stories,” as he pleaded. It is important to support our own filmmakers because they are the cultural worker of our country. 

   “Read, Travel and Get Hurt,” as he advised. “The best way to learn how to make film is to make a film.” 

Tuesday, November 25, 2014

The Official Trailer of SalaMindanaw International Film Festival 2014





Thursday, November 20, 2014

SalaMindanaw IFF to commemorate Maguindanao Massacre



   General Santos City, PH –The second edition of SalaMindanaw International Film Festival shall present a special section called Cinema and Remembrance to commemorate the fifth anniversary of the Maguindanao Massacre.

   The films to be presented in this section are Lav Diaz's 'Mula Sa Kung Ano Ang Noon' (From What is Before), set in a village during the time leading up to the declaration of Martial Law by President Marcos, Rob Jara's 'Maliw' (Soliloquies) about three stories that feature love, idealism, and the politics of memories and melancholia, and how fragments of these are lost and found, Zig Dulay's 'Missing' which recounts the story of Makuy who is one of the increasing numbers of victims of enforced disappearances (desaparecidos) in the country and Herwin Cabasal's 'Pieta' about the lament and struggle of a mother whose son is one of the disappeared.

   The films will be shown on November 28 at 9 in the morning at the Mindanao State University – Graduate School AVR. A forum follows the screening to discuss the role of art and media in the ongoing conversations on the issues of impunity, authoritarianism and democratic rights and principles.

   “We need to confront and reflect on the democratic rights that we are enjoying right now. Rights that are constantly endangered from the ambition of powers that be. Rights that we enjoy because people have sacrificed their lives so that we may have them,” festival director Teng Mangansakan noted. SalaMindanaw is anchored on a vision that includes engaging the public in both popular and critical discourse on art, media and cinema and their transformative power to shape ideas about society.

   On the morning of November 23, 2009, in the town of Ampatuan in Maguindanao province, a convoy was on its way to file a certificate of candidacy for Esmael Mangudadatu, vice mayor of Buluan town, when they were stopped at a checkpoint, kidnapped and brutally killed. Mangudadatu was challenging Datu Unsay mayor Andal Ampatuan, Jr., son of the incumbent Maguindanao governor Andal Ampatuan, Sr. and member of one of Mindanao's leading Muslim political clans, in the 2010 gubernatorial election. The people killed included Mangudadatu's wife, his two sisters, journalists, lawyers, aides, and motorists who were witnesses or were mistakenly identified as part of the convoy.

   The Committee to Protect Journalists (CPJ) has called the Maguindanao massacre the single deadliest event for journalists in history. At least 34 journalists are known to have died in the massacre.

   One of the chilling effects of the Massacre was the signing of Proclamation No. 1959 on December 4, 2009, by President Gloria Macapagal Arroyo which officially placed Maguindanao province under a state of Martial Law, thereby suspending the privilege of the writ of habeas corpus and other rights.

   “We are in a generation that has a very flimsy idea about Martial Law, its atrocities, its effects on people. This should be be part of a continuing discussion that even young people need to be part of,” Mangansakan said.

   SalaMindanaw International Film Festival shall take place from November 26 to 29 in General Santos City.






Contact
Teng Mangansakan 
Festival Director
SalaMindanaw IFF
0917 7620396