A memory of Direk Francis

with Direk Francis during the GenSan Summer Film Camp, May 2013

   In his young and successful career as a Filmmaker, it was shocking to know that Francis Xavier Pasion passed away. 

   I first got acquainted with Direk Francis during the first GenSan Summer Film Camp organized by SalaMindanaw Asian Film Festival (formerly SalaMindanaw International Film Festival) in the summer of 2013. Like any other neophyte student of filmmaking, I immersed myself into it. The intense and hands on film workshop was overwhelming yet very enlightening. Along with other participants, we immersed ourselves in the world of cinema by learning, feeling and breathing films for five days. As what Gutierrez Mangansakan II, the Workshop Director, said: “In the end, we don’t want to be merely FILL MAKERS – we want you to become thinking FILMMAKERS. 

   As one of the mentors of the film workshop, Direk Francis shared his experiences in filmmaking. He told us how hard to make a film and also points out its rewarding part. He also shared some tips in story development, as he said, “In making films, the story should be base in the real world – that you have a connection with the story – a story that you are familiar with.” One thing I would never forget about his lesson was the word “bali”. This “bali” is important in developing or writing screenplay. This word aids me to be critical about my stories. 

   Even though we did not have a long one-on-one conversation, I cherish those moments where he taught us valuable lessons in filmmaking. His lessons as well as his filmography are consciously and subconsciously embedded in our minds. In his brief yet meaningful stay on Earth, I am thankful that I was his student and he was my teacher.

   Thank you Direk Francis. 

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The Beginnings of Cebuano Rock Music | Lorenzo "Insoy" Niñal | TEDxUniversityofSanCarlos

Repost: "How do you start a new genre of music? When you have no directo benchmarks to follow, where do you begin? Insoy shares his journey as he tells us how he started what is known today as BisRock and BisPop along with a surprise that just shocked the audience."

"Insoymada isn’t the daily bread, but he can breathe life into words. A columnist and songwriter, his passion lies in the dialect, bending it in all its forms; sa balak, sa suwat, sa kanta. Insoy is also one of the brains and hands behind Vispop, and sings for Missing Filemon."

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Who Killed Philippine Cinema?: Pepe Diokno at TEDxADMU

photo by Excuse my French

Repost: "How open is the window by which we view the world? Pepe Diokno is a motion picture director, producer and screenwriter. He was awarded in the Venice Film Festival a Lion of the future award for his debut film, Engkwentro. Let's take a peek through his lens"

"He grows the nation by showing us what we need to see"

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The Undying Dream of Pangarap music video

   I did not expect that I would shoot another music video last year. After Chillax, I promised myself not to shoot another one if my collaborators are imbecile. But I broke my promise for some unexplained reason. I also cannot refuse Marlon (Licko’One) since he is my friend and for my advocacy of helping independent artists. Pangarap (Dream) is somehow a reminder of my dreams in life. It is like a wakeup call to continue pursuing my dreams.

   It was timely knowing the fact that I felt down last December. I did not have the drive to do creative things last year. After the activities during the previous months, I dedicated the month of December for a good rest and contemplation. It was also a detoxification of toxic people that I have socialized.

   I undoubtedly said yes when Marlon asked me to direct his music video. It was fast. I did not pause and think of what was the implication of my decision. As I expected, I had difficulty working with them (except for Marlon since it was our second collaboration). Since they do not have background in shooting a music video, I adjusted myself to get along with them. It was pain in the ass especially Cynille Kaye (co-singer) and Michael Pagco (the videographer). They did not have the sense of professionalism that I imagined.

   Again, we did not have the hi-tech equipment to fully materialize my concept. I just did the same old trick of improvisation. I was expecting that Michael would provide the necessary equipment because he volunteered himself and made a promise during our meeting. But he broke his promise and I end up being the main Cinematographer. Thanks to Dado’s initiative that he became my instant Production Manager during the shoot.

   I did the magic trick to compensate the lapses. I would not let the music video to be a wreck. I stick to the original concept in which I incorporated ordinary people to give hope that dreams do come true. I want to give the audience the feeling of encouragement to continue pursuing their dreams no matter what status they are in life. I also put some element of Marlon’s dreams and my interpretation of it.

   Making the music video was a therapy. It was like finding myself in the midst of uncertainty. I am still thankful even though the shoot did not have the spectacular equipment or the ideal crew. The limited resources are not hindrance for creativity. Just like what I said in my previous blog posts, making a music video is my experimentation of concepts. It is a perfect moment to play ideas.

   The experience of making it served as hope to continue dreaming and take concrete actions out of it. It is epiphany as the poet claims. It is deus ex machina as a Greek tragedy proclaim. Whatever would it be I am fortunate I to have it. I am thankful to the Supreme Being for giving the experience of dreaming again.

Please watch the music video below:

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