Tuesday, November 4, 2014
Unknownart, artist, experimental
Monday, November 3, 2014
SalaMindanaw unveils 2014 line up, shifts focus on SEA regional cinema
SalaMindanaw International Film Festival has announced the official line up of their second edition from November 26 to 29, 2014 in General Santos City.
The Festival will open with The Sermon of the Contemplative Sinner, a dance film produced by SalaMindanaw in collaboration with Teatro Ambahanon.
Eleven films will vie in the Asian shorts competition. The films are After The Winter (Jow Zhi Wei, (Singapore-Taiwan-France), Auntie Ma’am Has Never Had a Passport (Sorayos Prapapan, Thailand), Chicken Curry (Lwin Ko Ko Oo, Myanmar), Cita (Andi Burhamzah, Indonesia), Dindo (Martika Escobar Ramirez, Philippines), Geography Lessons (Petersen Vargas, Philippines), Qafas (Prateek Srivastava, India), Somewhere Only We Know (Wichanon Somumjarn, Thailand), Stopping The Rain (Aditya Ahmad, Indonesia), Talking To My Best Friend (Le Nguyen, Vietnam) and Wan An (Yandy Laurens, Indonesia). With the exception of India, all films in the line up are from Southeast Asia.
“Our programming this year reflects the vision of SalaMindanaw, which is to make the Festival a platform for Southeast Asian cinema,” festival director Teng Mangansakan revealed. SalaMindanaw is the first and only international film festival in Mindanao, the southernmost region of the Philippines closest to Malaysia, East Timor, Brunei, and east Indonesia.
Mangansakan added that Southeast Asian cinema is particularly thrilling now because of the development of film movements outside of the capital. Indonesia is represented in the Festival by three films made in the Sulawesi city of Makassar east of Jakarta while one of the Filipino entries is a film from the northern province of Pampanga. “It is an exciting time to be Southeast Asian and a regional filmmaker at the same time,” Mangansakan noted.
Meanwhile, the Mindanao shorts competition line up comprise of Abakada ni Nanay (Joni Mejico, Ipil in Zamboanga Sibugay), Apasol (Ryanne Murcia, Zamboanga), Cresilda (Art Orillanida, Gensan), Dead Stars (Amaya Han, Gensan), End of War (Joe Bacus, Cagayan de Oro), Good Morning, Joey (Monalyn Labado, Davao), Inukban (Lew Avila, Davao), Jamir (Genory Vanz Alfasain, Sarangani), K’na (Anjeilee Pacuin, Gensan) and Sap’ng (Rahil Maningcara, Gensan).
A new section called Philippine Next Cinema seeks to introduce new voices and visions in the host country’s cinema. The line up is composed of Bastes, May Anne M (Bebe Go), Magdalena (Anna Isabelle Estein), Sonata Maria (Bagane Fiola) and The Unforgetting (Carl Joseph Papa). A fifth title shall be announced in the coming days.
The Gensan Screen Lab, an intensive workshop intended to develop and cultivate new filmmakers in Mindanao, will culminate with the screening of six short films.
In commemoration of the fifth anniversary of the Maguindanao Massacre and the little know Martial Law that followed, the Festival will present a special non-competitive section Cinema and Remembrance. The films include Maliw (Rob Jara), Missing (Zig Dulay), Pieta (Herwin Benedictos Cabasal) and the recipient of this year’s Golden Leopard at Locarno Mula Sa Kung Ano Ang Noon (Lav Diaz).
The four-day Festival will close with Little Azkals, a documentary by Babyruth Villarama-Gutierrez whose film Jazz in Love won the NETPAC Prize for Best Asian Film in the inaugural edition of SalaMindanaw.
Unknownart, artist, collaboration, music video
Friday, October 31, 2014
The Official Entries of the 2014 SalaMindanaw International Film Festival
These are the official entries in the 2nd SalaMindanaw International Film Festival
There is a special section to commemorate the fifth anniversary of the Maguindanao Massacre and the little known Martial Law that followed.
For more updates check the Facebook Page of SalaMindanaw IFF & its website
Thursday, October 30, 2014
Tuesday, October 21, 2014
13 participants attend film workshop in GenSan
The Mindanao Center for Moving Image (MCMI) with the support of GenSan Tourism Council conducted a two day film workshop to the 13 aspiring filmmakers last October 18-19 at Veranza Conference Room. The said workshop aims to teach the fundamentals of feature/narrative filmmaking as well as to raise the consciousness of the people of its importance for cultural regeneration.
“Film is about feeling it,” as Teng Mangansakan, the workshop director said. “There are lots of individuals who can make a video or short film because of the democratization of technology today. You can watch and upload videos in Youtube and other video related sites. What will make you set apart is how you tell your story.”
“Film is about feeling it,” as Teng Mangansakan, the workshop director said. “There are lots of individuals who can make a video or short film because of the democratization of technology today. You can watch and upload videos in Youtube and other video related sites. What will make you set apart is how you tell your story.”
Teng pointed out the importance of story in making films. “With the accessibility and availability of technology today, anybody can shoot a film. If you have HD camera, you can easily shoot as long as you want. But most of the output of young filmmakers today has weak stories. The story can make or break your film. So it is important to strengthen the filmmaker’s storytelling technique.”
The participants also learned how to formulate ideas and how to capture the right premise for their stories. “There’s no such thing as original idea…idea is not copyrighted. There is an interpretation or variation of old idea,” said Teng.
“Culture is a natural element in a story,” Teng said. He stressed out the importance of culture as one component of storytelling. But he also pointed the pitfall of overdoing it. “Culture is a broad term. Cultural dance or traditional dress is only one component of culture.” He cited an example, like wearing traditional dress (throughout the film) does not necessarily tell the whole story of the culture of a certain tribe or community.
“In a competitive world, it is not enough that one becomes a filmmaker. One must aspire to become an intelligent filmmaker,” Teng pointed out.
The second part of the GenSan film workshop will be held on November 8-9, 2014.
originally posted in southcotabatonews.com
The participants also learned how to formulate ideas and how to capture the right premise for their stories. “There’s no such thing as original idea…idea is not copyrighted. There is an interpretation or variation of old idea,” said Teng.
“Culture is a natural element in a story,” Teng said. He stressed out the importance of culture as one component of storytelling. But he also pointed the pitfall of overdoing it. “Culture is a broad term. Cultural dance or traditional dress is only one component of culture.” He cited an example, like wearing traditional dress (throughout the film) does not necessarily tell the whole story of the culture of a certain tribe or community.
“In a competitive world, it is not enough that one becomes a filmmaker. One must aspire to become an intelligent filmmaker,” Teng pointed out.
The second part of the GenSan film workshop will be held on November 8-9, 2014.
originally posted in southcotabatonews.com
Wednesday, October 1, 2014
SalaMindanaw IFF 2014 to be held in two cities
The second edition of SalaMindanaw International Film Festival (SIFF) will be held simultaneously in the cities of General Santos and Cotabato.
“SalaMindanaw is expanding this year to cater to more artists, peace advocates and film lovers in the region,” Festival Director Teng Mangansakan announced.
The opening and closing ceremonies will be held in General Santos and Cotabato respectively, in recognition of the importance of the two cities in the educational and commercial development of SOCCSKSARGEN region.
“For its sophomore edition, the Festival theme shall be ‘Deconstructing Cinematic Space.’ As we continue to celebrate the development of regional cinemas across Asia, we also attempt to veer away from the traditional space of film screening, that is the movie house, and explore alternative and non-traditional screening venues like buses, parks, markets, and barangay centers to bring films closer to the people,” Mangansakan added.
SIFF features competitive sections for Asian full-length films, Asian short films, and Mindanao short films, as well as exhibition sections that present the richness and diversity of form and expression in Asian cinema. Submission of entries is open to narrative, documentary and experimental films made in the last two years. Deadline of entries is on October 25.
As the first and only international film festival in Mindanao, SIFF remains strongly committed on its mission to raise awareness and promote international cinema with emphasis on strengthening the cultural ties between Mindanao and its Southeast Asian neighbors, to support the nascent film movement in SOCSKSARGEN and its neighboring regions, and to engage the public in both popular and critical discourse on art and cinema and their transformative power to shape ideas about society, thus encouraging cultural diversity and the plurality of creative expressions.
The second SalaMindanaw International Film Festival will take place from November 26 to 29, 2014.
For updates, go to the Festival’s Facebook page http://facebook.com/salamindanaw
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